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ON FREE PUBLIC VIEW 


AT THE AMERICAN ART GALLERIES 


_ MADISON SQUARE SOUTH, NEW YORK. 


FROM WEDNESDAY, FEBRUARY 19TH, 1919 
UNTIL DATE OF SALE 


FROM 9 A.M. UNTIL 6 P.M. 


HANDSOME 
HOUSEHOLD FURNISHINGS AND 
EMBELLISHMENTS 


UNRESTRICTED PUBLIC SALE 
AT THE AMERICAN ART GALLERIES 


AFTERNOONS OF WEDNESDAY, THURSDAY AND FRIDAY 
FEBRUARY 26TH, 27TH AND 28TH 
OOOO. raupcestilt is. nee 


BEGINNING AT 2.30 O’CLOCK 


- CATALOGUE 


OF THE 


HANDSOME FURNISHINGS 
AND EMBELLISHMENTS 


REMOVED FROM A 


WASHINGTON RESIDENCE 
FOR CONVENIENCE OF SALE 
TOGETHER WITH IMPORTANT ADDITIONS 


BY DIRECTION OF THE HEIRS OF THE LATE LAURA BALL PINKUS 
AND OF OTHER INTERESTS 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 
ON THE DATES HEREIN STATED 
AT THE AMERICAN ART GALLERIES 


THE SALE WILL BE CONDUCTED BY 

MR. THOMAS E. KIRBY 

ASSISTED BY 
MR. OTTO BERNET AND MR. H. H. PARKE 
THE AMERICAN ART ASSOCIATION, Manacers 
6 EAST TWENTY-THIRD STREET 

MADISON SQUARE SOUTH 

NEW YORK 


__ THE AMERICAN ART ASSOCIATI 

DESIGNS ITS CATALOGUES AND DIR 
fe Dae. ibys ALL DETAILS OF ILLUSTRATIO) 
ee ne a SEX AND ROG Rae 


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CONDITIONS OF SALE 


1. Any bid which is merely a nominal or fractional advance 
may be rejected by the auctioneer, if, in his judgment, such bid 
_ would be likely to affect the sale injuriously. 

2. The highest bidder shall be the buyer, and if any dispute 
arise between two or more bidders, the auctioneer shall either de- 
cide the same or put up for re-sale the lot so in dispute. 


3. Payment shall be made of all or such part of the pur- 
chase money as may be required, and the names and addresses of 
the purchasers shall be given immediately on the sale of every lot, 
in default of which the lot so purchased shall be immediately put 
up again and re-sold. _ 

Payment of that part of the purchase money not made at 
the time of sale shall be made within ten days thereafter, in de- 
fault of which the undersigned may either continue to hold the 
lots at the risk of the purchaser and take such action as may be 
necessary for the enforcement of the sale, or may at public or 
private sale, and without other than this notice, re-sell the lots 
for the benefit of such purchaser, and the deficiency (if any) aris- 

ing from such re-sale shall be a charge against such purchaser. 

4. Delivery of any purchase will be made only upon pay- 
ment of the total amount due for all purchases at the sale. 

Deliveries will be made on sales days between the hours of 
9 A. M. and 1 P. M., and on other days—except holidays— 
between the hours of 9 A. M. and 5 P. M. 

Delivery of any purchase will be made only at the American 
Art Galleries, or other place of sale, as the case may be, and only 
on presenting the bill of purchase. 

» Delivery may be made, at the discretion of the Association, 
of any purchase during the session of the sale at which it was sold. 


5. Shipping, boxing or wrapping of purchases is a business 
in which the Association is in no wise engaged, and will not be 
performed by the Association for purchasers. ‘The Association 
will, however, afford to purchasers every facility for employing 
at current and reasonable rates carriers and packers; doing so, 
however, without any assumption of responsibility on its part 
for the acts and charges of the parties engaged for such service. 

6. Storage of any purchase shall be at the sole risk of the 
purchaser. Title passes upon the fall of the auctioneer’s hammer, 
and thereafter, while the Association will exercise due caution in 
caring for and delivering such purchase, it will not hold itself 
responsible if such purchase be lost, stolen, damaged or destroyed. 

Storage charges will be made upon all purchases not removed 
within ten days from the date of the sale thereof. 

’. Guarantee is not made either by the owner or the Asso- 
ciation of the correctness of the description, genuineness or au- 
thenticity of any lot, and no sale will be set aside on. account of 
any incorrectness, error of cataloguing, or any imperfection not 
noted. Every lot is on public exhibition one or more days prior 
to its sale, after which it is sold “‘as is” and without recourse. 

The Association exercises great care to catalogue every lot 
correctly, and will give consideration to the opinion of any trust- 
worthy expert to the effect that any lot has been incorrectly cata- 
logued, and, in its judgment, may either sell the lot as catalogued 
or make mention of the opinion of such expert, who thereby would 
become responsible for such damage as might result were his 


opinion without proper foundation. 


AMERICAN ART ASSOCIATION, 
American Art Galleries, 
Madison Square South. 


FIRST AFTERNOON’S SALE 


WEDNESDAY, FEBRUARY 26, 1919 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 2.30 O'CLOCK 


TABLE WARE 


1—Trn Eneutsu Porceitamn Bovitton Curs 
Decorated with black bandings and gilding. 


2—Six DrespeEn Fruir PLateEs 


Serrated rims, enriched with gilded festoons; the centers 
with varied groups of birds in brilliant plumage. Mark 
“scratched.” 


3—Six DrespEN PorcELAInN PLATES 


Serrated rims; decorated in colors and gilding with bou- 
quets and sprays of varied flowers. 


4—FEicut DrEspEN PorcreLAIN PLATES 


Gilded wave rims, decorated with bouquets and sprays of 
varied flowers. (Chipped.) 


First Afternoon 


5—Twertve Limoces Porceran Fish Prares 
Lobed rims, decorated on Royal blue with gilded laurel 
wreath. Reserved centers, enriched with varied fish and 
flower sprays. 


6—TweEtve Limocets PorceLaIn Sour PLATEs 


Spiral gadrooned and serrated rims; decorated with bou- 
quet and sprays of flowers. 


Y—ELEVEN DecoratepD PorcEeLAIn PLATES 
Six Brownfield, decorated with gilded panels of birds sup- 
ported on grape lattice in reserve; on rose-du-Barry 
grounds. Five with turquoise-blue borders and the centers 
of landscapes overhung with large sprays of roses. 


8—Twetve Larcte DrespEN PorRcELAIN PLATES 


Serrated rims; decorated in colors and gilding with bou- 
quets and sprays of varied flowers. 


9—TWweELvE CHINESE Canton PorcEeLarn PLATES 
Slightly octagonal flarmg marly. Decorated in pink, red, 
blue and gilding; central medallion enclosing varied jar- 
dinieres of flowers and butterfly. 


10—FourtTEEN Oxup Skvres Porcretatmn PLAtTeEs 


Richly decorated center medallions, with bouquets of varied 
flowers ; dull orange-yellow rims, enriched with gilded bands, 
laurel and ivy wreaths. 


11—Oup CREAMWARE PiERcED BaskeET AND T'wo Trays 


Circular basket, with open oval lattice center guarded by 
basket and rope bands; entwined rustic handles. Circular 
trays of two sizes and colors; basket centers with open lobed 
rims. 


First Afternoon 


12—Two Earty Decoratep Creamware FLowEer Howpers 
Of the same pattern, but varied in decoration. Fan-shaped, 
with cover perforated for flowers. Draped female mask 
handles in colors, on spreading molded oblong foot. One 
decorated with medallions, “Cupid and Psyche’ and “The 
Three Graces,” in gray; guilloche border and oak-leaf foot 
in green. The other decorated with birds and fawn in 


place of medallions. (Chipped.) 
Height, 7 inches. 


18—Srarrorpsuire Brown Tony TEaror 
Standing rotund figure in three-cornered hat, crown form- 
ing cover; on rustic base; leaf-scroll handle and spout pro- 
jecting from the belly of figure. Rich brown glaze. 
: | Height, 10 inches. 


14—DEcoraAtTED STAFFORDSHIRE Tosy TEAPOT 


Similar to the preceding, but without cover and decorated 


with pink coat and green check shorts. 
Height, 914 inches. 


15—Drespen Porcetain Trea anp Correr Por 
Ovoidal bodies on molded circular feet, simple spouts and 
swan neck handles; decorated in colors and gilding with 
large bouquets of varied flowers (no covers). (‘Teapot 
chipped. ) 
Respective heights, 71, and 81% inches. 


16—DreEspEN Porceiain TEA SET 
Gadrooned bodies, with scroll handles, enriched with bou- 
quets of flowers in full relief with colors and gilding. Con- 
sisting of oval tray, high teapot, covered creamer, four 
cups and saucers and miniature teapot, and covered cup 
and saucer which do not match. (Repaired and chipped.) 


17—Two Crown Dersy Porcerarn Disues anv Ercutr 
SAUCERS 
With festoons in relief, and gilt edges. Early puce color 
mark. English Derby about 1770-1780. 


From the Thomas Sutton Collection, England, 1917. 


First Afternoon 


18—Wuite anv Gorp Limoces PorcELain SET 
Fine white grounds, relieved with geometric gilded bands. 
Consisting of six dinner, six dessert, eight breakfast, five 
bread and butter and eight soup plates; fourteen saucers 
(two sizes); three oval platters; celery dish; covered gravy 
boat and entrée dish. 


19—WuiItE anp Gotp Canonsspure Fatence SET 


Cream grounds, with gilded bands. Consisting of ten din- 
ner, eight soup, ten dessert, six bread and butter plates, 
four bouillon cups and saucers; three oval platters, cake 
plate, sauceboat and tray, butter dish and covered oval 
entrée dish. 


20—Otutp Drerspy PorcreLAIn Dessert SERVICE 


Scroll and shell motive rims; decorated with bands of 
apple-green, scrolled leafage in reserve and gilding. Con- 
sisting of nine plates, four oval dishes, cake plate and two 
covered bowls and trays. Mark in red: a crown within 
round label, “Bloor Derby.” 


21—BuvrE anp Wuirr Worcester PorcenAIn Tra SERVICE 


Red wave rim, with deep blue and gilded floral and chev- 
ron pattern bandings. Enriched in center with floral 
medallion, with radiating lighter blue floral sprays and 
scrolls. Consisting of two cake plates, sixteen after- 
dinner cups and saucers, twenty-six teacups, twenty-one 
saucers (two sizes), fourteen round berry dishes, four 
bowls, teapot, caddy, two covered sucriers and two creamers. 
Some replacement pieces of later date. Made by Flight. 
“Crescent mark” in blue. ‘ 


22—OLp Crown Derspy PorceLain TEA SERVICE 


Richly decorated in the quasi Chinese manner with medal- 
hons of pagodas and temples in landscapes; half-rosetted 
and scrolled basket panels festooned with flowers in Royal 
blue, pinks, greens, light blue and gilding on a soft white 
ground. Consisting of covered teapot, creamer, bowl, two 
cups, four saucers, two cake plates. (Teapot repaired 
at lip of spout.) 


First Afternoon 


23—-Crown Dersy PorcevaIn TEA SERVICE 


Teapot, low squat oval body with incurving neck and 
molded collar, bellied scroll spout, scroll handle with curi- 
ous stumps simulating riveting, and low molded cover ter- 
minating in a square patera finial. Decorated with royal 
blue floral scroll panel supporting red spear-shaped floral 
motives interrupting reserved, shaped medallion enriched 
with bouquets and sprays of flowers in reds, green, blue 
and gilding. Consisting of covered teapot and oval tray, 
covered sucrier, creamer, bowl, six teacups and saucers; 
eight upright chocolate cups (four repaired). Dusenberry 
mark in red. 


24—Ortp Crown Dersy Porcetain DINNER SERVICE 
Plates: flaring marly, with slightly indented rim. Richly 
decorated in pseudo-Chinese style with Royal blue, reds, 
greens and gilding on white grounds. Central medallion 
of rude landscape and flowers, borders of irregular panels 
alternately exhibiting floral motives in reserves of blue, red- 
scrolled floral and diaper pattern panels. Consisting of ten 
plates and two oval platters in similar decoration. 


25—Trn NyMPHENBURG PoRCELAIN PLATES 


Turquoise-blue and gilded scroll edges and pierced borders, 
enriched with sprays of varied flowers in colors. (Chipped.) . 


26—Twenty-two Ironstone CHINA PLATES 


Scrolled lobed rims, extending to the hollow marly. Deco- 
rated in the pseudo-Chinese manner in brilliant red, blue, 
pink, yellow, green and brown on white grounds with scrolled 
central medallions enclosing flowers growing amidst rock- 
ery; red and blue scroll banded rim and floral sprays on 
marly. Ten large and twelve small. Mark: “Crown” and 
“Real Stone china” in brown. 


27—BuveE anv WuHuiTE DrespEN PorcELAIN DINNER SERVICE 
Pierced basket and medallion borders; enriched centers, 
mostly in onion pattern. Consisting of 20 dinner plates, 


22 dessert plates, 2 high compotiers, one square dish and 
2 ladles. 


First Afternoon — 


23-—DrEcorATED STAFFORDSHIRE STONE Cuina DINNER SERVICE 


Lightly lobed flaring marly. Decorated in pseudo-Chinese 
manner in brilliant blues, reds and greens and gilding on 
soft white ground. Central medallion enclosing peonies 
and willow tree in rude landscape. Marly with three large 
floral sprays. Consisting of twelve small plates, marked 
“Copeland,” in blue; eighteen dinner plates; sixteen soup 
plates; large oblong, canted cornered dish with loose per- 
forated strainer, the latter marked with “British Coat of 
Arms” in blue and “Stone china.” 


SHEFFIELD AND OLD ENGLISH SILVER 


29—F ive SILvER-PLATED COFFEE SPOONS 
Apostle pattern, with squat oval bowls and figure terminal. 


30—Srx SILVER-PLATED TABLE KNIVES 


Deep shell, molded handles, steel blades. Made by Mappin 
& Webb, London. 


31—Twetve Larce SILVER-PLATED TABLE KwnivEs 
Similar to the preceding. 


32—SILVER-PLATED CarviING SET 
Similar to the preceding, consisting of knife, fork and steel. 


338—SeET OF SILVER-PLATED TABLE WARE 


Shaped, molded and paneled handles; engraved F. a es 
Consisting of 11 table knives, 12 forks, 12 ‘spoons and 7 
coffee spoons. 


34—SILVER-PLATED BREAKFAST SET 


Oval open wire toast rack, two mounted glass salt shakers, 
oval mustard pot (no lining) and two silver teaspoons, all 
of differing patterns. 


35—SILVER-PLATED Sucar Bown 


Circular pierced bowl on square foot; swinging reeded bail 
handle. Blue glass lining. 


Diameter, 5 inches. 


First Afternoon 


85a—Oup SHEFFIELD Fruit Basket 


Embossed and engraved bowl. Shell and scroll ornamented 
rim. Hinged handle. 


Diameter, 14 inches. 


36—TeEn Smaut Sitver SpPoons 


Four souvenir spoons, three teaspoons, one mustard and 
two after dinner. Assorted sizes and patterns. 


387—TeEn Sitver Traspoons AND ONE Sitver For« 
Assorted sizes and patterns. 


388—Six EneuisH Stnrver Mustrarp Spoons oF THE GEORGIAN 
PERIOD 


Various sizes. Hall marked. 


389—SILVER CHEESE Scoop AND APOSTLE SPOON 


Scoop engraved with crest; spoon with twisted handle and 
St. Peter as terminal. : 


40—Pair or SinverR GRAPE Scissors AND Sucar Toncs 


Scissors enriched with bunches of grapes and leaves. Tongs 
with shell clasps and scroll handles. 


41—Turee Larce Sitver TEraspoons 


Coffin handles; old Dutch. 


42—THREE SILVER TEASPOONS 
Engraved with crest, “Stag on label”; old Dutch. 


48—Five Eneussu Sitver Taste Forts oF THE GEORGIAN 
PERIoD 


Reeded handles; engraved with crest, “Three Castles.” 


First A fternoon 


44—Stx Srertinc Sitver Forks 
Shell scroll terminals, by Nowlan & Co. 


45—Nine Earty AMERICAN SILVER TEASPOONS © 
Spade-handled. Engraved J. M. J. Made by John H. 
Tyler & Co. ; 


46—Two EneuisH Sitver LApDLES AND BuTTER-KNIFE 
Reed handles. Engraved with crest. Hall marked. 


47—EncewisH SILVER-GILT SERVICE Spoon, Knire anp Forx 


Rich rustic handles, with bunches of grapes and entwining 
vines. Hall marked. 


48—Five Sreriuine Sitver TEasPpoons | 
Scroll handles. Initialed B. By R. Harris. 


49—SrEvEN Streritinc TasiE Forks 
Similar to the preceding. 


50—Twetve Larce StTerrting TasLteE Forks 
Similar to the preceding (not initialed). 


51—Srx Encuisu Sinver AFTER-DINNER Seacae 
Handles with beaded edge. Engraved with crest. Hall 


marked. 


52—Twenty EncusH SItver TEASPOONS 
Similar to the preceding. 


538—EIcHTEEN EncuisH Sinver Taste Forxs 
Similar to the preceding. 


54—EIcHTEEN Larce Enouisu Sitver Tasiue Forks 
Similar to the preceding. 


First Afternoon 


55—Four Enewuisu Sitver Dessert Spoons 


Long graceful handles finished with dainty pearl borders. 
Engraved with crest and badge. Hall marked. 


56—Six Encusn Sitver Taste Spoons 
Similar to the preceding. 


57—Six Enecuisn Sitver Dessert Spoons oF THE GEORGIAN 
PERIOD 


Fiddle pattern, with reeded edges; engraved with crest. 
“Three Towered Castle.” Made by Wm. Chawner, London. 
Hall marked. 


58—Twetve EncuisH Sitver TABLE SPOONS OF THE GEORGIAN 
PERIOD 


Handles with reeded edges; engraved with crest. Made by 
William Chawner. Hall marked. 


59—ELEVEN EncuisH Sitver Fisn Forks oF THE GEORGIAN 
PERIOD 


Cartouche scroll and beaded handles. Engraved with 
crest. Hall marked. 


60—Twetve Encuisu Sitver Fish KNIvEs oF THE GEORGIAN 
PERIOD 


Similar to the preceding. 


61—EncuisH SItver SERVICE FisH Knire ann Fork oF THE 
GEORGIAN PeErRIoD 


Similar to the preceding. 


62—BEAUTIFUL ENGLISH SILVER SERVICE SPOON AND Fork OF 
THE GEORGIAN PERIOD 


Unusually fine pattern; reeded handle with cartouche ter- 
minal; engraved with crest. Hall marked. 


63—BrauTiruL EnewisHh Servicke Fork anp LapLE OF THE 
GEORGIAN PERIOD 


Similar to the preceding. 


First Afternoon 


63a—SILVER Dessert SERVICE 
Twelve knives and twelve forks. Old English pattern. 
White pearl handles. In mahogany case. 


64—Sinver Carvine SET 3 ze | | 
Flat spear-shaped handles, enriched with shell and husk 


motives. Consisting of knife, fork and steel. 


65—Spanisu SILveR KNIFE AND Fork CASE OF THE SIXTEENTH 
CENTURY 


Curved tapering scabbard. Beautifully angen with tre-_ 
foil Gothic arched panels, enclosing dainty interlacing floral 
arabesques; reverse panels with double-headed displayed 
eagles and small floral hinged loop for suspension. Fitted 
with steel and bronze knife and fork of a later period. 


Length of case, 734 inches. | 


66—Two Ostone Sitver Cicar LicHTErs 
Square sides, with ring for suspension; one engraved 


EK. J. D. 


67—Encusu Sinrver Atconou Cicar Lichter 
In the form of an old Roman oil lamp; enriched with 
repoussé scrolls and eagle-head handle. Hall marked. 
Length, 6 inches. 


67a—ELEVEN Stertinc Sitver Ramextn HortpeErs 
Pierced bowls and handles. 


68—Srerune Sitver Purr-Bpox 
Repoussé, with dome cover and floral conta enriched 
with flowers and fern leaves. Made by Tiffany & Co. 
Height, 41/4, inches. 
69—Two Oxp Spanisu Sitver Spurs 


Rope band supports terminating in lions at ends and form- 
ing socket for starred wheel spur; leathern strap mounted 
with silver buckle. 

Length, 8 inches. 


First Afternoon 


70—TIwo EncusnH Sitver Satt CELLARS 


Circular bowl shape, with rope rim; on three scrolled spade 


feet. Hall marked. 


70sa—Turee Encuisyu Sinver Sart CELLARS 
Oval shape; embossed rims, fluted bowls and claw feet. 


71—Sinver Peprrer Caster 
Standing bird, finely modeled; screw top. 
Height, 444 inches. 
72—Fine Encuisu Sinver TEapor 


Pear-shaped, slightly gadrooned; richly engraved with 
arabesque and diaper motives; handle and knob ivory. Made 


by Garrard & Co., London. Hall marked. 
Height, 5 inches. 


%8—Srertine Sitver Muc 


Enriched with band in low relief, “Children Playing.”’ Made 
by Tiffany & Co. 
Height, 31% inches. 


74—Inpivipvat Dutcu Sitver CoFrre£E-Pot 
Pear-shape, on high sheep feet; ebony baluster handle. 
Height, 54% inches. 


75—Enewisnw Sitver Hotr-mitk PircHer 


In the form of a Jersey milk-can. Enriched with bandings 
of leaves. Made by Gilliam, London. Hall marked. . 


Height, 5 inches. 


76—Frencnu Sinrver CreaAMER 
Oviform body, on short molded foot; incurvate neck with 


molded spout; scrolled ebony handle. 
Height, 5 inches. 


77—EncusH Sitver Sucar Bown. 


Circular, with gadrooned band at foot and lip; reeded han- 
dles. Hall marked. 


Diameter, 5 inches. 


First Afternoon — 


78—EncuisH SILVER SAUCE-BOAT Bs 
Turned-over gadrooned rim; scroll handle. On leaf, scroll 
and spade feet. Hall marked. 


79—Two Oxtp EncuisH SHEFFIELD PLATE SAUCE-BOATS 
Shaped roll-over rim; double C-scroll handles; leaf shell 


and claw feet. 


80—Fovur Oxup EneuisH SHEFFIELD PLatTE COASTERS 


Three with varied rims; grape, scroll and shell, lobes and | 
gadroons, and deep leaf scroll and husk. One with gad- 


roon and flower rim; wooden bottom. 


81—StTeriine Sinver Sucar SIFTER ; 
Low bowl-shaped, supported by draped female figure and 
spreading foot. Ram’s head handles. 
Height, 6 inches. 


82—EncuisH SILVER SucAarR CASTER 


Circular body, enriched with moldings; dome cover, with 


knob terminal. Hall marked. 
Height, 7, inches. 


83—Frencu Sitver Sucar Bow. 1n THE Lovis XVI Sryiz 
Deep open bowl, on high spreading foot; enriched with fluted 


pilasters and laurel-leaf festoons; swinging bail handles, 
with blue glass lining. 


Height, bY, inches. 
84—Ewneuiso Sitver Dish Howper 
Oval, with geometrically pierced banding, gadrooned rim 
and handles. Glass lining missing. Hall marked. 
- Length, 6 inches. 


85—EncLisH SiLvER Bonson DisH 


Boat-shaped, with inscrolled mask ends; spiral fluted body, 
enriched with scroll and dolphin band. Mask and flange 
feet. Hall marked. 

Length, 64% inches. 


First Afternoon 


86—Enecuisn Sitver Tra SERvICcE 
Low oval gadrooned bodies, with incurvate boat-shaped lip; 
leaf and scroll handles. Consisting of teapot, sucrier and 
creamer. 
Height of teapot, 4%, inches. 
87—Two Sma. Sitver-PpLATED Tropuy Cups 
Pear-shaped, with reeded rim; two leaf scroll handles; on 
- circular ebonized plinth. 
Height, 5% inches. 
88—Turee Encuisu Sitver Tropuy Cups 
Goblet shape; varied molded and beaded feet. Hall marked. 
Height, 61% inches. 


89—AmeErican Sitver Tropuy Cup 
Goblet form, enriched with repoussé vine scrolls and bunches 
of grapes on body and foot; engraved with inscription. 
Height, 8 inches. 


90—AMERICAN Sitver Tropny Cup 
Similar to the preceding. 
Height, 8 inches. 
91—Two SILVER-PLATED Tropuy Cups 


Deep bowl, with slender stem. Two square looped handles 


(defective). On circular ebonized plinth. 
Height, 81, inches. 


92—-Sitver-PLaTeD Two-HANDLED Tropuy Vase 
Graceful elliptical body; incurvate neck, spreading foot; 
long scroll handles. On circular ebonized plinth. 
Height, 11 inches. 


93—ENGcLIsH SiILveR TEAPOT OF THE GEORGIAN PERIOD 


Depressed globular gadrooned body with ovoidal gadrooned 
cresting; lifting gadrooned dome cover terminating in an 
ivory knob; honeysuckle and leaf spout and shaped box- 
wood handle. Enriched with a narrow band simulating 
basketry on the center of body. Has been engraved with 
coat-of-arms and motto. Hall marked. 

Height, 4°/, inches; length, 8%, inches. 


First Afternoon 


94—Cuarmine Eneuisn Sitver Crurt or THE Grorce III 
PERIOD 

Cinquefoil lobed receptacle with arched piercing, finished — 

with gadroons; molded and aproned base on scrolled claw 

and ball feet. Spiral standard, terminating in a vase and 

open scroll handle. Engraved with monogram and crest. 


Fitted with five finely cut glass bottles with spiral pierced 4 


silver tops. Hall marked. 
Height, 103, inches 


95—Two OvaL SHEFFIELD PLATE CANDLESTICKS OF THE Gror- 
GIAN PERIOD 

One with reeded shaft and eee foot, entiened iy a 

banding of reeds; the other, oval, slender vase-shaped bal- 


uster on molded, spreading foot. 7 
Height, 934 inches. 


96—Two BrautTiFuL OvaL SHEFFIELD PLATE CANDLESTICKS OF 
THE GEORGIAN PERIOD 
Plain shafts, with spreading sockets and foot enriched with 


bandings of fine spear-shaped leaves. 
Height, 1014 inches. 


97—-Two SHEFFIELD PLATE CANDLESTICKS OF THE GEORGIAN 
PrRiop 
Tapering baluster support, on wide circular molded base; 


moldings enriched with gadroons. 
Height, 10 inches. 


98—Two Uniaurt SHEFFIELD PLATE CANDLESTICKS OF THE 
QUEEN ANNE PERIOD 
Oval, with boat-shaped socket and baluster which spreads 
into an unusual boat-shaped foot; enriched with delicate 
reedings and rayed stars at foot. 


Height, 1114 inches. 
99—Ox.p EncusH SILVER-PLATED InKsTAND 


Shaped oblong scroll-pierced tray, with shell and floral rim; 
central circular box, with small chamber candlestick for 
sealing as cover; glass inkwell (sand box missing). 


Length, 181% inches. 


First Afternoon 


100—Sinver Mountep SHacGReEN INKsTAND OF THE GEORGIAN 
PERIOD 
Oblong tray of shagreen, with silver moldings at rim and 
foot, corners simulating snails, snake handles and circular 
pierced basket receptacles. (Wells missing.) 


Length, 1514 inches. 


101—Gerorcian SItveR JEwEL Box 


Oval, finely shaped, with large gadroons, molded dome and 


hinged cover on scroll feet. 
Height, 5 inches; length, 8 inches. 


102—Earty AMERICAN SrinvER Borrue 


Hand-beaten bulbous body, with long neck finely molded; 


dome cover, with knob terminal. 
Height, 1114 inches. 


103—JAPANESE Sitver TEA SET 
Low bowl-shaped bodies, enriched with ‘‘Coiled Dragon Seek- 
ing the Sacred Pearl.” Consisting of teapot, sucrier with 
cover, and creamer. 


104—Sreriuine Sinver AFTER-DINNER COFFEE SET 


Queen Anne pattern. Oval, with gadrooned sides; engraved 
R. V. J. Consisting of coffee-pot, sucrier and creamer. 


Height of pot, 6% inches. 


105—Enewuisu Sttver TEA and COFFEE SET 
Teapot: scrolled ovoidal sloping sides, tapering spout, flat 
hinged cover with gadrooned ivory terminal, leaf-carved 
ivory handle. Enriched in the Sheraton manner with en- 
_graved oval medallion enclosing crested monogram on a 
field semé with stellate motives; charming floral borders at 
crown, foot and cover. Consisting of tea and coffee pots, 
sucrier and creamer. Made by J. E. W. & J. Barnard. 


London hall mark, 1869. 
Coffee-pot: Height, 8%, inches. 
Teapot: Length, 11 inches. 


First Afternoon 


106—InisH Sirver Ewer 
Oviform, on many-sided foot, with novallen sea-serpent han- 
dle. Enriched with repoussé scrolls, cartouche, eagle’s heads 
and flowers; engraved with coat-of-arms and crests. Hall 


marked. Made by Brown. 
Height, 10 inches. 


107—Two Encruisu SInvER CANDLESTICKS 


Baluster stems, on spreading foot; enriched with gadroons 
at foot, collar and bobéche. Engraved with crest. Hall 


marked. 
Height, 11 inches. 


108—Two Eneuisn Sinver CaNnpLESTICKS 
Similar to the preceding. 


109—Twreive Encuisu SItverR SEerRvIcE PLATES 


Lobed and beaded rim, with radiating reeded flange, en- 
riched with vases and husk festoons over the reeds. Hall 


marked. 


Diameter, 9% inches. 


110—Twetve Ene iso SILVER-PLATED SERVICE PLATES 
Cinquefoil lobed, hollow flange, enriched with gadrooned 
rims. Have been engraved with crests on flange. 


Diameter, 9%, inches. 


111—Oxp EnctisH SiLvER-PLATED Cake Basket. 
Circular, with spreading foot; rim enriched with reed and 
leaf motives; swinging open bail handle of scrolls and leaf- 
age. Made by Cox, Savary, Cornhill. 


Diameter, 1134 inches. 


112—Oup EncusH SHEFFIELD Pirate Cake Basket 


Circular, gadrooned body with leaf and reed rim; swinging 


bail handle, enriched with leaf patera. 
Diameter, 1134 inches. 


First Afternoon 


118—E1cuHTeen Larce Ovp Encuisu SHEFFIELD PLATE SERVICE 
PLATES 
Hollow flange, enriched with gadrooned edge. Engraved 
with crest, a demi-rampant lion on crown, label inscribed 
“Tria . Juncta . in Uno.” 


Diameter, 91%, inches. 
114—Oxup EneutsH SHEFFIELD Puate Tra Ser 
Teapot, low bowl-shaped body, bellied spout, loop handle; 


on scroll feet (defective). Creamer and sugar bowl match. 


115—-Two EicureentH Century Ene ish SHEFFIELD PLATE 
CoFrFEE-POTS 
One, high pear-shaped body, on spreading gadrooned foot, 
domed cover and scroll handle. By Morton & Co.; the 
other lower, with leaf-molded rims and spout. (Both de- 
fective.) 
Respective heights, 11 and 8 inches. 
116—Smaryi Ovar Sitver Tray 


Reeded rim on scrolled feet; engraved H. Made by Dan. 
Holly & Wilkinson. 


117—Two Rounp Oup ENGcLIsH SHEFFIELD PLATE Trays 


Shaped, gadroon and scroll dip, with shell and scroll rim; 
center of one engraved with scroll and arabesque border, 
the other with floral scrolls and shell. 


Respective diameters, 81% and 10 inches. 


118—Two Rounp EneuisH SHEFFIELD Trays 
One, shaped, gadroon and scroll dip, with open shell and 
scroll border on leaf-scroll feet; the other, plain, with hol- 
low dip and small flange with beaded rim; by Watrous. 


Respective diameters, 10 and 12 inches. 


119—Oup Enecuisu Rounp SILveR-PLATED ENTREE DisH 
Low bowl-shape, for hot water or charcoal, with loose top 
cover and oak-leaf and scroll handles; on shell, leaf and 


scroll feet. 
Diameter, 9 inches. 


First Afternoon 


120—Turer Encusn Sizver Rounp Coverrn Enrrin Disnzs 
Bowl-shaped, with reeded and lobed flange, gadrooned dome- og 


shaped cover and reed handle. Hall marked. 


Diameter, 11, inches. 


121—EneutsuH SILVER UNS CovERED ENTREE Diss 
Similar to the preceding. 


122—EneutsH SitvEr Rounp Coverep Entr&e Disx 3 
Similar to the preceding, with compartment for hot water 


under. | 
Diameter, 8 inches. 


123—Eneuisu Sitver Rounp Coverep ENTREE DisH 
Similar to the preceding. 


Diameter, 9 inches. 


124—EneuisH Sttver Sour TurEEN anp Cover 


- Similar to the preceding. 
Diameter, 9 inches. 


125—Laree Otp Encuisu Sitver Piatt Breap Tray 


Depressed boat-shaped, with flaring rim enriched with shell 


and leaf-scroll edge. 
Length, 1834 inches. 


126—Two Suerrietp Piatt Wine Coouers 
Old English; inverted gadrooned bell-shape,. with leaf and 
scroll handles; spreading foot ; loose wide lip rings, enriched 


with reed and shell scroll motives. 
Height, 914, inches. 


127—Oup EncusH Suerrretp Puate Meat Cover or THE 
QuEEN ANNE PERIOD 


Hand-beaten oval bell-shaped body, with reeded band at 
foot and top, terminated with a reeded oval knob. 


Length, 13 inches. 


Diameter, 8 inches. 


First Afternoon 


128—Suerrietp Puare Meat Cover. ENcusH, oF THE E1cu- 
TEENTH CENTURY 


Oval, bell-shaped body, enriched with three varied bands by 
gadroons, appliqués of shell, scrolls and floral motives ; open 
cornucopix, leaf and flower handle terminating in “Prince 
of Wales’ Feathers.” Engraved with Crest and Coat of 


Arms. 
Length, 15%4 inches. 


129—SuHeEFFIELD Pirate Meat Cover. ENGLIsH, oF THE EIcuH- 
TEENTH CENTURY 


Similar to the preceding. 
Length, 20 inches. 


1380—SuHeEFFIELD Puate Meat Cover. ENGLISH, oF THE EIcGH- 
TEENTH CENTURY 


Shaped oval, with hand-beaten domed gadrooned body, en- 
riched with reeding on rim; leaf scrolls terminated by gad- 
roons and rustic leaf entwined handle. Engraved with Coats 
of Arms within leaf-scroll cartouches and motto, ‘‘Pro Fide 


et Patria.” 
Length, 181% inches. 


131—SHEFFIELD Puate Triepte Entree Diso. ENG.LIsy, oF THE 
EIGHTEENTH CENTURY 


Deep blunt-nosed oval, with scroll feet and handles; inner 
dish with gadrooned rim; gadrooned cover, with loose rustic 


leaf handle forming third dish. 
Lenght, 15 inches. 


182—CircuLarR Onp EncuisH SHEFFIELD PLATE JARDINIERE 


Low pierced body, enriched with floral scrolls, on leaf and 
medallion feet. Shaped turn-over rim, with open floral 
scroll edge. 


Diameter, 11 inches. 


188—OxLp EnciisH Ostone SHEFFIELD PLATE JARDINIERE 
Deep double sloping body, with rounded base and corners, 
on short foot. Enriched with gadrooned rim and two lion 


and ring handles. 
Height, 6 inches; length, 12 inches. 


First Afternoon 


134—Larcre SHEFFIELD PLaTte PuNCHBOWL OF THE GEORGIAN 
PERIOD 
A modification of the famous Monteith model; enriched with 
three narrow bands of flutings interrupting, circular medal- 
lions within scrolled cartouches; lion mask and ring han- 
dles, surmounted by a beautiful deep scroll and cupid head 
cresting; on high gadrooned foot. 


Height, 11 inches; diameter, 13 inches. 


1385—Two BravuTiIFruL SHEFFIELD PLarEe VasEs OF THE GEORGIAN 
PERIOD | 

Oviform body, with incurving neck and spreading foot and 

double reeded loop and leaf handles. Enriched at rim with 

a series of floral medallions, on neck with entwined festoons 

of grapes and leaves, at shoulder with finely chased molding 

of acanthus and water leaves, foot with floral gadroon and 


medallion bands; loose lining for flowers. 
Height, 121% inches. 


1386—Larcer SHEFFIELD PLAteE Firowrer Urn or THE GEORGIAN 
PrErRIop 


Inverted, gadrooned bell-shape, spreading molded foot on 
square plinth, supported on four balls; reeded handles, ter- 
minating in fine satyr masks; engraved with Coat of Arms. | 
(One ivory butt of handle missing.) Motto: Nunc—Nunc. 


Height, 144%, inches. 


137—LarceE Repovussk SHEFFIELD Piatr Urn or THE GEORGIAN 
PErRIop 


Low bowl-shape, with incurving neck and molded lip and 
dome cover terminating in a large leaf button; elaborate 
upright scroll handles and faucet; baluster stem, on shaped 
rectangular plinth supported by claw feet. Richly embel- 
lished on various moldings with acanthus leaves; on cover 
and bowl with repoussé bands of floral, shell and scroll 


motives. 
Height, 15% inches. 


First Afternoon 


1388—Tatut SHEFFIELD PLATE JARDINIERE OF THE GEORGIAN 
PERIOD 

- Urn shaped, on baluster stem and molded, spreading foot, 

supported by square plinth; enriched with gadroons and 

‘at foot with large detached oak leaves. Converted from 

a tea urn. (Repaired with an oblong plate under rim.) 


Height, 17% inches. 


1389—Ricuty Mounrep East Inpian Sitver Bown 
Globular, with small molded rim and foot, enriched in deep 
relief with ‘T'aj Mahal” shrine and figures, and under an 
arched band a continuous landscape with hunting and alle- 
gorical subjects, intricately composed in two irregular 
tiers; at neck and foot, with floral scrolls; under foot 
deeply engraved with an intricate floral patera. 


Height, 11% inches; diameter, 17 inches. 


140—Suerrietp Pirate CaNnDELABRUM OF THE GEORGIAN 
PERIOD 
Tapering shaft and spreading foot, enriched with reeded 
and floral bandings; loose upper portion, with one central 
baluster and two scrolled floral arms for lights. 


Height, 18 inches. 


141—Ser or THREE Ovar SHEFFIELD Puate Meat Puatrrers 


Old English; hollow dip, with flange enriched with gad- 


rooned edge. 
Respective lengths, 14 and 15 inches. 


142—Larcer Ovat SHEFFIELD Puate Meat Puatrer 
Old English; hollow dip, with boldly shaped flange enriched 


with shell, leaf and scroll motives. 
Length, 22 inches. 


143—Larce Ostone SHEFFIELD PLATE Tray | 
Old English; round over-flange, richly embellished with 


broad leaf and scroll edge and handles. 
Length, 28 inches. 


First Afternoon 


144—Sinver STANDARD FoR EPERGNE 


Baluster support, enriched with leaves, cartouche motives 
and flutings, double scrolled foot with similar motives, . 
sprays of flowers, lion and female masks. “Of thin silver 


filled.” | 
H Leight, 19y, inches. 


(abo Saas Piare CANDELABRUM OF THE GErorGIAN PERIOD ~ 


Baluster shaft, spreading foot, boldly enriched with pearl 
and leaf bands and flutings; loose upper portion of one 
central baluster and two leaf scroll arms for lights. 

Height, 2144 inches. 


146—SuHEFFIELD Pirate CaANDELABRUM OF THE GEORGIAN PERIOD — 


Heavy triangular, shaped, double spreading support, en- ; | 


riched with grape leaves and bunches of grapes, water leaves _ 
and rose bouquets; on shell and scroll feet; loose upper 

portion of one central baluster and two leaf scroll arms for | 
lights. 
Height, 24 inches. 


147—Two SHEFFIELD PLrateE CANDELABRA OF THE GEORGIAN ~ 
PERIOD 


Tapering support; with spreading circular foot enriched 
with gadroons. Upper portion with two scrolled arms for 
lights and flamed terminal to central socket. 

Height, 2014 inches. 


148—Two SuHerrietp PLATE CANDELABRA OF THE GEORGIAN 
PERIOD x 


Tapering support, with circular spreading foot, enriched 
with shell, scroll and blossom motives; upper portion with 


central socket and S-scroll arms for lights. 
Height, 19 inches. 


149—SuHeEFFIELD PLatE CANDELABRUM OF THE GEORGIAN PERIOD 


Triangular spreading base, on three broad claw feet, sur- 
mounted by three draped female classic figures supporting 
a double and revolving flange with central liliform baluster 
and socket with flame terminal and three scrolled arms for 
lights. 

Height, 23 inches. 


First Afternoon 


150—SuHeEFFIELD Puate ErperGng AND CANDELABRUM OF THE 
GEORGIAN PERIOD 


Richly cut gtass low-lobed bowl, supported on an open 
grape and lattice basket set in a liliform motive, above a 
shaft of three caryatids with arms upraised; from these 
spring three fine leaf-scrolled arms (sockets missing). 
Triangular molded plinth, on broad shell leaf and scroll 
feet. Carved mahogany stand, on claw feet. 

Height, 24 inches. 


151—SHEFFIELD PLATE EPERGNE AND CANDELABRUM OF THE 
GEORGIAN PERIOD 


High bell-shaped gadrooned base, with finely scrolled feet, 
enriched with floral motives, supporting two varied liliform 
shafts, the smaller at foot supporting four leaf-scroll arms 
(sockets missing); the upper, enriched with leafage and 
floral rim, supports a low glass bowl cut with fan shapes on 
the serrated rim. Height, 22 inches. 


152—Finety Gitpep Tra Urn or THE GEORGIAN PERIOD 


Oviform body, with small incurving cover and flame ter- 
minal; incurving foot on square plinth, supported on leaf 
and claw feet; rustic handles and dolphin head spout. En- 
riched on body with finely chased garlands and wreaths of 
flowers and laurel and acanthus leaf banding. 

Height, 19 inches. 


153—SHEFFIELD PLATE CANDELABRUM OF THE GEORGIAN PERIOD 
Tapering shaft and spreading foot, enriched with gadroons 
and leaf motives; loose upper portion of one central socket 


and two scrolled floral arms for lights. 
| Height, 21 inches. 


154—InTeEreEstTinc Persian Sitver Totter CAsKketT 


Oblong, with canted domed, hinged cover on high bracketed 
feet ; entirely encrusted with repoussé silver panels of floral 
motives and bandings; top with central oval medallions of 
vase and flowers and floral corners. Interior lined with 
crimson velours, with two side compartments; inside top 
with mirror center and side sections with bouquets of 
flowers. Height, 19 inches; length, 21 inches. 


First Afternoon 


155—Turee Larce Pate Pinx SitK CANDLE-SHADES 
Ruffled at crown and foot; festooned with old-gold braid. 


156—Six Oup-rosE WaTERED SILK CANDLE-SHADES 
Trimmed at crown and foot with rosebuds and at foot with 


gold fringe. 


157—Four Munperry SitK PrInNcEss SHADES 
Pleated silk, paneled with gold braid. 


158—Srx Prercep SILVER-PLATED CANDLE-SHADES 


Varied in pattern. Red linings, trimmed with bead fringe 
for same. 


159—Ten Pinx Sirk CanpLE-sHADES 
Pleated silk, trimmed with festoons of silk roses, gold lace 
and ribbon bowknots. 


HOUSEHOLD LINENS, TABLE COVERS, 
EMBROIDERED AND LACE DOILIES 


160—SixTren Smatu EmsproiwEerep Linen Dortiss 


Scalloped edges, variously embroidered with roses and but- 
tercups. 


_ 161—Two Emsroimrren Linen Taste CENTERS 
To match the preceding. 


162—Twe.ve Empromerep Linen Dorzies 


Scalloped edges; embroidered in green with shamrocks; two 
sizes, 


163—FourtTEeen Linen anp Lace Doities 


Assorted sizes and patterns, some initialed. 


164—Twetve Crocuetr Lace Domus 
Medallioned star pattern. 


First Afternoon 


165—Spaniso Firer Lace Cover or THE RENAISSANCE PERIOD 


Displaying a recurring pattern of towered castles between’ 
crowned facing lions, alternating with ladies of the Court 
in the stiff, interesting costumes of the sixteenth century. 
_ Narrow leaf borders at top and sides; at foot, a procession 
of archaic stags. Trimmed with Vandyke blue and white 


linen fringe. 
Width, 13 inches; length, 3 2/3 yards. 


166—Two Rounp EmprormpwERED LINEN TaBLE CENTERS 


One tan, paneled with blue, and embroidered with roses and 
daisies; lace edge. The other, embroidered with pink tulip 
sprays; lace edge. 

Respective diameters, 23 inches and 1 yard 3 inches. 


167—Two Rounp Linen anv Lace Taste CENTERS 
One with Renaissance lace border, the other with border of 
medallion and lattice crochet lace. 


Respective diameters, 27 and 22 inches. 


168—Two SevarE Linen Tea Criorus 


One floral drawn work, diamond center and corners embroid- 
ered with sprays, hemstitched; the other paneled, with three 
borders of medallioned drawn-work, hemstitched. 


Respective sizes, 33 inches and 1 yard square. 


169—Rounp Linen anp Lace TasLtE CENTER 


Border of large floral medallions, with leaf edge; scroll me- 


dallion center of Renaissance lace. 
Diameter, 1144 yards. 


170—Rounv EmpromweErep Linen’ Taste CENTER 


Wide border of wreaths and garland of flowers embroid- 
ered in linen, with lace edge. 


Diameter, 1 yard 3 inches. 
171—Linen Damask Tasie Cover 


Floral center, with scroll border. 
. 3 yards by 2 2/3 yards. 


First Afternoon 


172—Linen Damask Taste Cover 
Medallion center, with two deep arabesque borders. 
3 yards by 2 2/3 yards. 


173—Turee Linen anp Lace Bureau Covers 
Border of floral thread lace. Various sizes and patterns. 


174—Two Lacr Bureau Covers 
All-over pattern of flowers, scrolls and medallions; varying 
in patterns and sizes. | 


175—Turee Linen anp Lace Bureau Covers 
Two embroidered with flowers, borders of drawn-work; the 
other with border of lace insertions. Varying in sizes and 


patterns. 


176—Twenve Linen Huck Towets 

Blue borders on ends. 

1 yard 8 inches by 18 inches. 
177—Eient Linen Hanp Towets 

Hemstitched borders, varying in pattern; some initialed. 

1 yard 2 inches by 21 inches. 


178—Tren Drawn Linen Hanp Towets 
Lattice drawn-work ends. Initialed *“*M.” 
1 yard 9 inches by 32 inches. 


179—Tern Drawn Linen Hanp Towets 
Latticed drawn-work ends. Assorted patterns and some 
initialed. 
1 yard 9 inches by 32 inches. 
18u—Srx Linen Towe ts 
Assorted sizes and patterns in varying condition. 


181—Two Ner anp Lace Pittow SHams 
Alternate panels of thread lace and net; floral lace borders. 


26 inches square. 


First Afternoon 


182—Four EmsproipErep Linen Sora Pittow Covers 


Three of fine linen, embroidered; the other, with lace inser- 
tions. Varying in sizes. 


183—Srix Assortrep PitLtow Cases 
Linen and cotton, varying in size and pattern. 


184—FourtTeen Linen Pintitow Cases 


Hemstitched ends. 
1 yard by 21 inches. 


185—TeEn Cotron SHEETS 
Wide hems. — 
2 yards by 2% yards. 
186—Fovur Linen SHEETS 
Deep borders. 


21, yards square. 


187—F ive Linen SHEETs 
Deep borders; some initialed. 
2%, yards square. 
188—Fovur Linen SHEETS 


Hemstitched borders. 
21%, yards by 2 yards. 


189—Fovur Linen SHEETS 
Similar to the preceding. 


190—Fovur Linen SHEETS 
Similar to the preceding. 


191—Four Linen SHEETS 
Similar to the preceding. 


192—Four Linen SHEETS 
Similar to the preceding. 


First Afternoon 


1938—Six Linen SHEETS 
Similar to the preceding. 


194—Larce Linen anp Tureap Lace Brep CovER Let : 
Paneled with squares of medallion lace and insertions. Van- 


dyke floral diamond border. 
23%, yards by 2% yards. 


195—Fitetr Laces anp Cur Linen Cover_Let 


Alternating squares of floral cut-work and filet with animal 
motives; open scalloped edge. 
22/3 yards by 21, yards. 


196—Tan Scrim ann THREAD Lact CovERLET 


Center floral medallion, with diamond border; striped 
drawn-work field; two borders of medallion lace. Scalloped 
edge. 

22/3 yards by 2% yards. 


197—Drawn Linen Bep CoveErLEtT 


Field of minute drawn medallions and cobweb square panels ; 


scalloped lace border. 
21%, yards by 2 yards. 


198—Fintt Tirt Linen Bep Cover.et 


Square central geometric medallion, with large key pattern 


border; finished with three bands of medallion motives and - 


deep hemstitching. 
2% yards by 22/3 yards. 


199—Fintk Tirt Linen Bep Coveruer 


Central crossed square floral medallion, with three medallion 
borders of insertion; finished with deep hemstitching. 


3 yards by 22/3 yards. 


200—Fixtté Tirt Linen Bep Coveriet 


Similar to the preceding. 


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First Afternoon 


201—Crram Coswes Lace Scarr 
Center composed of two panels of varied circular floral 
medallions, flanked with lattice motives. Ends paneled with 
roundels and lattice squares alternating. Medallion fin- 


ishing borders on ends. 
2 2/3 yards by 33 inches. 


202—Two FracmMents oF SpanisuH Fintet Lace 


One, floral angular scroll pattern; the other, of leaf and 
angular scrolls (defective). 


203—Two Tureap Lack ann Scrim CurrTAINS:- 


Diamond and square paneled borders flanked with floral 


insertions. 
Length, 254 yards; width, 11/8 yards. 


204—Larcre EIicHTEENTH CENTURY CASHMERE SHAWL 
Black center, with infloretted palmette border, and similar 
deep extra borders on the two ends; in brilliant coloring. 


(Slightly defective.) 
Length, 3% yards; width, 1% yards. 


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1: 


SECOND AFTERNOON’S SALE 


THURSDAY, FEBRUARY 27, 1919 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 2.30 O'CLOCK 


MISCELLANEOUS CABINET OBJECTS AND 
| DUTCH SILVER 


205—Dutcu Sitver Box, VinaicrettTE, BoveveT HoLpEerR Anp 
WINDMILL 
(a) Shell-shaped box, relieved with scrolls and flowers. 
(3s) Vinaigrette, flagon-shaped; enriched with Renaissance 
masks and arabesques. 
(c) Filigree holder, with oak-leaf top. (Imperfect.) 
(p) Windmill, on tapering sides with scrolled panels. 


206—OLtp Eneravep DutcH PEewTrer Bown AND COVER 


Low bowl, with two broad flanges; molded cover; engraved 
with leaf and scroll motives. 


207—Dovutcu Sitver Boxes 
(a) Lozenge shape; the lid enriched with head of Napoleon 
within circular and oval wreaths of laurel. 
(ps) Shaped oval; the lid and sides enriched with Watteau 
subject within scrolls. 


Second Afternoon 


208—Two Dutrcu SILVER-GILT JEWELED FIGURINES 


Standing figures, profusely enriched with semi-precious 
stone; one playing violin, the other a harp. On oblong 
jeweled bases. 


209—Two Durcu Sirver Bonzon Disues anv Vase 
(a) Dishes Louis XV style, with scroll handles and feet; 
one with pierced sides. 


(sz) Vase with incurved side; mask and scroll handles on — 
claw feet; enriched with busts within wreaths and scrolls. 


210—Two JeweLep Ovat Dutcu Sitver Boxes 
(a) Lid enriched with small oval miniatures of “Marie 
Louise” and ‘‘Napoleon,” under an imperial crown and 
a canopy of laurel leaves. Jeweled monogram and border. 
(s) Lid enriched with jeweled stellate blossom within bor-— 
dered medallion; side panels with jewels between cornu- 
copie and garlands. 


?11—Duvutcu Repousst Sitver Tray ann BEAKER 


(a) Six-lobed tray, enriched with bunches of fruit in center 
and in the compartments; scroll handles. 


(3) Bulbous beaker, with incurving neck; enriched at foot 
with pomegranate and acanthus-leaf motives. 


212—-JEwELED Dutcu Sitver Gitr TriptycH AND STATUETTE 
(a) Triptych with small holy-water font under; depicting 
the “Adoration of the Virgin,” “The Crucifixion” and vari- 
ous saints. | 
(3) Standing figure of saint in close-fitting robes carrying 
Gothic casket; on octagonal base supported on seated lions. 


2183—Two JEwrevtep Dutcu Sitver BEnItTIERS 


Depicting in a Renaissance architectural niche the Cruci- 
fixion; semi-circular font under. One gilded. 


Second Afternoon 


214—JeEwELED ParceL-GILt SILVER STATUETTE 


Napoleon standing clad in Imperial robes, a long scepter 
in his hand. On high circular jeweled pedestal, displaying 
garlands and the Imperial eagle. 


215—Two Dutcu Sivver Perper Ports 


Louis XVI style; vase-shaped, enriched with flutes, floral 
garlands and wreaths; pineapple terminals. _ 


216—Doutcu Repousst Sitver-citt GospLer AND BEAKER 
(4) Jeweled goblet on baluster stem and spreading foot, 
enriched in the Renaissance manner with varied masks 
amidst floral garlanded strap arabesques. 
(3) Beaker; twisted lobed body, developing into gadroons 
at the top; enriched with grotesque masks. 


217—Two Dutcyu Sitver Bonson DisHEs 


(a) Oval, with scrolled handles and feet; enriched with 
cupid medallions and scrolls. 


(Bs) Scrolled boat-shape, with swan-head prow and a cupid 
seated on the scrolled stern; supported on four pierced 
wheels; enriched with shells, medallions and festoons. 


218—Rerovusst Sinver-PLATED ITatiaAN CENSER AND CHALICE 
Cup 
Early eighteenth century censer; boat-shaped, with half 
hinged cover and spreading foot; enriched with shell scroll- 
ings and acanthus leaves. (Imperfect.) 


Parcel-gilt gadrooned cup, supported on baluster stem and 
bell foot. 


219—Four Otp Durcu Curt-ceLass, SILVER-MOUNTED VINAIG- 
RETTES 
One, graceful long-necked bottle-shape, one with tapering 
facetted sides and round shoulder, and one with oval panel 
and serrated sides; another, tall flask shape, with fan and 
diamond cutting. 


Second Afternoon 


220—Fovur Oxtp DutcH SILVER-MOUNTED VINAIGRETTES 


One with scroll-shaped sides, flattened with round medal- 
lion; one similar, with long flat front and oval medallion; 
one pear-shaped, with lobe top; and another, pressed glass 
with shaped sides and fluted back and front. 


221—Turee Orv Dutcu Curt-ciass, SILVER-MOUNTED VINAIG- 
RETTES 


One, flat oval body, banded with silver on edges; one, flat- 
tened hexagonal, with rounded shoulder; another, flask- 
shaped with sunk oval panel and notched sides. 


222—-Four Oxtp Dutrcu CurT-cexiass, SILVER-MOUNTED VINAIG- 
RETTES 
One pear-shape, one depressed flask-shape, one with arched 
top, shaped sides and lobed paneled front, and one flattened, 
with shaped sides and oval panels. 


223—Pair or EIGHTEENTH CENTURY CLASPS 


In carved mother-of-pearl and mounted in silver. Bought 
in Cyprus. 


From the Thomas Sutton Collection, England, 1917. 


224—-SpanisH SILVER-PLATED Minitary Bett Box or THE SEv- 
ENTEENTH CENTURY 


Pouch shape; enriched in repoussé with central vase and 
two outfacing lions under trefoil arched canopy; domed 
hinged top with vase terminal; pearl-paneled sides and top 
embellished with floral motives. 


225—SpanisH GILDED Bronze Minitary Brut Box or tue Eien- 
TEENTH CENTURY 


Pouch shape, with hinged cover; rope-paneled front, sides 
and top, skilfully enriched in repoussé with scrolled cipher 
“M,” bouquets and sprays of flowers and shell motives. 


Se ee OF Cae ee ee 


Second Afternoon 


226—SIxTEENTH CENTURY VENETIAN DovusBLE TUMBLER 


The inner glass decorated with a hunting scene in gold, 
green and other enamels. Rare type. 
Height, 21, inches. 
From the Thomas Sutton Collection, England, 1917. 
227—Rovunp Miniature on Ivory 


Nymph, with a rose and fillet in her hair and laurel garland 
in left hand; bust length; in gilded bronze frame. 


228—Two Miniatures ON Ivory 1n GitpED Bronze Frames 
(a) Early French; circular; “Napoleon as First Consul” ; 
bust length. Signed: D. M. 
(s) Circular; Madame Elizabeth; bust length, in classic 
attire. 


229—Carvep Ivory Fan anp JAPANESE InRO 


(4) Fan: Dutch, eighteenth century; ivory guards and 
perforated blades, enriched with figures in Watteau cos- 
tumes, “Dancing and Promenading,” scrolls, husks, hearts 
and darts. Chicken-skin foil, with classic subject, ‘“Nep- 
tune and Venus.” Finished with borders of leaves, shells 
and scrolls at ends. Executed in pen and ink (brown). 
(s) Inro: five compartments, beautifully lacquered in 
parti-colored golds, with rock and overhanging prunus and 
chattering birds on tree branch; circular gold-encrusted 
tortoise-shell netsuke. 


230—EneuisH FourtEentuH Century Ivory Pax 
With finely carved figure of the Virgin and Child and two 
attendants. 
Chaucer, in “The Parson’s Tale,” refers to the “kissing of the Pax.” 


Height, 3 inches. 
From the Thomas Sutton Collection, England, 1917. 


231—A Hawk’s Hoop, 1n LEATHER 
Used when hawking to put over the falcon’s head and re- 
moved when the quarry is in sight. Curious and very rare. 
English. Sixteenth or seventeenth century. 
From the Thomas Sutton Collection, England, 1917. 


Second Afternoon 


232—A Miniature PortTaBLeE ALTARPIECE 


In gilded and engraved metal. The center painted with the 
Crucifixion, above is Christ risen, and below the sepulchre. 
Italian. Sixteenth century. 


From the Bemrose Collection. 


From the Thomas Sutton Collection, England, 1917. 


2338—DutrcH SItver AND ToRTOISE-SHELL SNUFFBOX OF THE 
EIGHTEENTH CENTURY 


Circular shell, with silver-rimmed top; encrusted with en- 
graved and pierced silver landscape and figures: “The Angel 
of the Lord appearing to St. Paul.” 


Diameter, 234 inches. 


234—DutcH MotTHeEr-oFr-PEARL SNUFFBOX OF THE EIGHTEENTH 
CENTURY 


Shape ovoidal, with top lightly carved and engraved with 
landscape, chateau and animals, and plain bottom of 
mother-of-pearl. Finely mounted with molded silver rim 


and sides. 
Length, 34, inches. 


235—Frencu Encrustep TorroisE-SHELL SNUFFBOX OF THE 
EIGHTEENTH CENTURY 


Piqué, enriched with golden eagle attacking a snake in 
green mother-of-pearl; small geometric border (defective). 


Diameter, 3 inches. 


236—Frencu Rounp TorToisE-SHELL SNUFFBOX OF THE NINE- 
TEENTH CENTURY STYLE 


Dark shell, lightly carved with cubic diapers and stellate 
border. 
Diameter, 21, inches. 


237—Doutcu Sitver anp MorHeEr-OF-PEARL SNUFFBOX OF THE 
Late EIicHTEENtTH CENTURY 


Oblong silver box, with hinged cover enclosing an insert of 
carved mother-of-pearl, enriched in low relief with sub- 
ject “The Nativity”; sides engraved with panels enclosing 
floral motives. 

Length, 3 inches. 


Second Afternoon 


238—Frencu Goup-MOUNTED Ivory PatcHrox oF THE EIGcuH- 
TEENTH CENTURY 
Circular ivory box, lined with tortoise-shell. Enriched on 


cover with beaded gold mount enclosing miniature on ivory: 
“Portrait of a Lady of the Court.” 


Diameter, 24, inches. 


239—Frencu Sinver-citr Box my Erenteentu Century Sry. 
Circular, with molded enriched rims at foot and top, with 
miniature on ivory: “La Pompadour.” Signed: Carett. 


Diameter, 37 inches. 


240—Lapy’s Gotp Watcn. FRENCH, oF THE EIGHTEENTH CEN- 
TURY 
Porcelain dial frame, enriched with small pearls; engraved 
rim; open back, disclosing the engraved escapement and a 
floral wreath, crested with a coronet, in chip diamonds. 
(Various stones and back glass missing.) 


241—Go.p Firicrert BracELeT oF THE Empire PeEriop 
Composed of three half-hoops swiveled and hinged to one 
back half-hoop. Each hoop is enriched with filigree band- 
ings and a central oval mounting in which is swiveled an 
ancient carnelian scarab. 


242—-Ruspy anp Diamonp ENAMELED GoLpD ARMLET 


Long green enameled flexible snake; the head encrusted with 
ruby eyes and a large leaf motive in graduated rubies sur- 


rounded with diamonds. 
Length, 19 inches. 


243—Lovis QuinzE GiLpED MeErat Casket 
Ornamented with four inserted panels of old Dresden porce- 
lain which are finely decorated with battle and camp scenes. 
Height, 4 inches; length, 5 inches. 
From the Thomas Sutton Collection, England, 1917. 


Second Afternoon 


244—Carvep Ivory Knire anp Forx Casr anp Two Hanp1es. 
FLEeMIsH, IN THE RENAISSANCE STYLE 
Shaped as a quiver; the sides enriched with cherubs’ heads 
over figures: “King David with his Harp” and “Saul with 
his Javelin” (defective at molded top). Handles, quaint 
nude figures of Adam and Eve, each holding an apple. 


Length, 7 inches; height of figures, 334 inches. 


245—Two Carvep Ivory Ficurines 


Standing figures lightly tinted: “An Assyrian Archer” and 


“Persian Warrior.” (Both defective.) 
Height, 7 inches. 


246—SpanisH Carvep Ivory Figurine OF THE SIXTEENTH CEN- 
TURY 
“Madonna and Child.”? She stands in loose robes on a 
crescent, her long wavy hair down to her waist; she holds 
the Infant Christ, habited as a monk, in her left hand. 


Height, 7 inches. 
From the Robert Hoe Collection. 


247—Frencu Carvep Boxwoop FicurinE oF THE LaTE SEVEN- 
TEENTH CENTURY 

Prelate standing in alb and dalmatic, exhorting his con- 

gregation. Executed in very light-weight boxwood. (Right 


hand repaired.) 
Height, 7% inches. 
From the Robert Hoe Collection. 


248—Carvine In MorHER-OF-PEARL 
“The Flight into Egypt.” Eighteenth century. Sicilian. 
From the Thomas Sutton Collection, England, 1917. 


249—Six ExevuisiIrELy Paintrep MINIATURES 


Executed in gouache. Courtiers in quaint fancy costumes. 
Louis XVI period, in carved wood frames. Choice and 
rare specimens. 


From the Thomas Sutton Collection, England, 1917. 


af. Oe , a » é 
eee ae ee ee ee oe eS ee ee a ee 


Second Afternoon 


250—Two SEVENTEENTH CENTURY Persian Drawinecs 
Of flowers in vases, exquisitely executed in water colors. 
Mounted in metal and enamel frames of the same period. 


From the Thomas Sutton Collection, England, 1917. 


251—ExeauisirELy Parntep MINIATURE OF A CHILD 

In blue and white dress and cap. Signed: “H. W. 1788.” 
This represents the Hon. Maria Josepha Holroyd, daughter 
of the Ist Earl of Sheffield. She corresponded with Gib- 
bon, the well-known historian, and a series of her letters 
has been published in two volumes. She became Lady 
Stanley, and the present Lord Stanley of Alderley is a 
descendant. Mounted in a gilt metal frame of the period, 
which is ornamented in repoussé. 


From the collection of the Earl of Sheffield, Sheffield Park, Sussex. 
From the Thomas Sutton Collection, England, 1917. 


252—-SIxXTEENTH CENTURY VENETIAN ENAMEL TazzA 


‘With raised lobes alternately green and white, on a lapis 
ground. A fine specimen. 
Height, 41, inches. 


From the Thomas Sutton Collection, England, 1917. 


253—AucsBuRG SEVENTEENTH CrentTuRY DovusLE Cup 


Of “lignum vitae,” with bands and lining of silver, the center 
repoussé with masks, scrolls and other designs. 

Height, 7 inches. 
From the Thomas Sutton Collection, England, 1917. 


254—_Rare Nassau Juc with Repovuss&t Sitver Hincep Lip 


Gray body, with touches of aubergine glaze. Relief deco- 
ration of floral scrolls and a center medallion with por- 
traits of a king and queen. Dated 1691. 

Height, 81%, inches. 


From the Thomas Sutton Collection, England, 1917. 


Second Afternoon 


255—Earzty E1gHTEENtTH CrEntTury Boxwoop Cross 


From Mount Athos, most minutely and exquisitely carved 
with scenes from the Life of Christ. Mounted in silver- 
gilt, jeweled and enameled framework. Fine Russo-Greek — 


workmanship. 
Height, 9 inches. 
From thé Thomas Sutton Collection, England, 1917. 


256—Very Finrt Outp Cocoanut Stranpine Cup 


Of unusually good design, the baluster stem and foot of 
silver, with engraved border and coat-of-arms (the ragged _ 
staff of the Earl of Leicester family). English. Charles 


II. 1680-1690. 
Height, 814 inches. 
From the Thomas Sutton Collection, England, 1917. 


257—SILVER-MOUNTED Ivory TANKARD WITH COVER OF THE 
Grorce III PEriop 


Large truncated tusk, carved with continuous “Battle 
Scene.” A medley of mounted and unmounted soldiery, in 
~which some are turbaned in East Indian style and others 
as Roman soldiers. Enriched with silver mountings, molded’ 
rim, pearl molded foot, two pearl molded scrolled loop han- ; 
dles and interior lining. Molded silver cover, terminating 
in an ivory group: “A Roman Warrior riding in Triumph : 
over Several Dead and Wounded Adversaries.” Silver hall- 
marked. (Large cracks have developed in the ivory.) 


Height, 10 inches. % 
From the Robert Hoe Collection. a: aa 


258—Carvep Ivory Daccer. ITALIAN, oF THE LATE RENAIs- - 
SANCE PERIOD 


Handle composed of a group of figures in ivory. “Venus,” 
under a scrolled acanthus-leaf canopy, restrained by two 
cupids; cross-guards with dogsheads and leaf terminations. 
Short blade; ovoidal at hilt, tapering to diamond section 
near point; etched with medallions and scrolled panels. 


Length, 12 inches. 


Second Afternoon 


259—CLoisonnéE Box, Miniature Satsuma VasE AND SNUFF 
BotrTLe 


(a) Round box; decorated with peaches and fan on the 
loose cover. 


(s) Hexagonal vase; panels decorated with personages and 
flowers in colors and gilding. 


(c) Snuff bottle; flattened oviform, simulating tortoise- 
shell; no stopper. Carved wood stand. 


260—Two Smart Porceiain VasEs 
(a) Bottle shape; invested with a splash glaze of old red, 
bluish crimson and black. , 
(8) Quadrilateral form, with bulging sides, invested with 
a glaze of deep rich brown. 


261—Two CHINESE CarvED Hvuaui Woop Ficurines 


(a) One of the eight Taoist Immortals. Rugged he stands, 
with his crutch in left hand, a bat in right and a gourd slung 
on his back. On rustic plinth. 


(3) Grotesque of a devotee, with his clothes formed of the 
gnarled rustic stems of wood. On rustic plinth (defective). 


Respective heights, 914, and 101, inches. 


262—Carvep Ivory Ostone PriaaveE IN THE FuiEemisH EicH- 
TEENTH CENTURY STYLE 


“Cavaliers Resting after a March.” In the uneven fore- 
ground are warriors resting, with their arms casually slung 
on the ground; some stand, one is mounted and already de- 
parting to a distant town. On the right is an open booth 
with refreshments, a bivouac fire and a seated young woman 
near soldiers (defective). In ebonized molded frame. 


Height, 5%, inches; length, 1034 inches. 


Second Afternoon 


263—Rare CarvEeD Boxwoop Figurine. FRENCH, OF THE ‘Lars a . 
SIXTEENTH CENTURY 


Standing figure of “The Virgin and Child.” She wears head ‘ 
hair curiously looped at back and a silver crown, and is it © 
close-fitting robes with a long drapery over her left shoulde 
and falling to her feet, held up over her left arm and swad- _ 
dling the Infant Christ, clasped closely to her breast with 
her two hands. He tenderly regards His Mother. 3 


Height, 91, inches. 
From the Robert Hoe Collection. 


264—BravtiruL Carvep Boxwoop Ficurinr. FRENCH, OF THE 
EarLty SEVENTEENTH CENTURY : 


Graceful standing figure of “The Virgin and Child.” Right — 
knee advanced in easy posture, wearing clinging robes with —__ 
a long hooded drapery held up under the left arm, with 
which she supports the nude Infant, the Orb in His left 
hand. She looks with gracious tenderness toward the In- __ 
fant. (Slight cracks have developed.) On oblong plinth, — 
with canted corners enriched in low relief with a winged 
cherub’s head. 


Height, 10 inches. 
From the Robert Hoe Collection. 


265—Two CurnesE Carvep Huart1 Woop Ficures 
(4) “Kwan-yin.” Goddess of infinite mercy; standing on 
a lotus thalamus in flowing robes, a gourd in her right 
hand, her left raised, the urn a jewel in her forehead. 
(3) Shou Lao, God of Longevity. Mounted on a water 
buffalo, carrying a peach in his left hand and a branch of 
a peach tree over his shoulder. On rustic base. 


Respective heights, 11 and 121% inches. 


Second Afternoon 


266—Carvep Boxwoop Ficurine. FrREeNcH, oF THE SIXTEENTH 
CENTURY 


Graceful standing figure, in easy pose, of the “Madonna 
and Child.” She is attired in clinging robe with finely 
draped mantle, hair caught by a small fillet. With gracious 
tenderness she holds the nude Infant Christ in her left 
hand and sustains one of His feet with her right hand. 
Beautiful patina. On hexagonal base. (Slight cracks have 
developed in features and drapery.) Supported on molded 


oblong plinth. Height, 1314, inches. 


From the Robert Hoe Collection. 


267—Carvep Hvuarui Woop Ficure. CHINESE, OF THE CH’IEN- 
LuNG PrERIop 


One of the eight Taoist Immortals. Grotesque smiling fea- 
tures, with ivory teeth and eyes; his lame right leg drawn 
up to his chest, he merrily hobbles along, his rosary round 
his neck and a large lotus leaf on his back. (Repaired and 
defective.) Rich patina. On a plinth of wave formations. 


Height, 30 inches. 


268—Turee Esony anp Carvep Ivory Lapizs’ Canes 

(a) Ivory crutch handle, enriched with a bust of ‘Diane 

de Poictiers”; gold mounting. 

(sw) Handle carved as a grotesque elephant-head and shoul- 

ders bejeweled with semi-precious stones (some missing) ; 

elaborate scroll engraved gold mount; engraved with crest. 

‘Lion over crown.” 

(c) Handle carved with two grotesque masks, within shell, 

leaf and scrolls; open gilded mount. Top button missing. 
Length, 45 inches. 


269—-Pair or JAPANESE TRAVELER’s Luncu Boxes 
Mirror-black lacquer, ornamented with crests in gold 
lacquer. Engraved brass mountings. The cabinets with 
numerous drawers and boxes. One has tea caddies, saucers 
and bowls. The other has sectional boxes, trays and spoon. 
Each: Height, 15 inches; length, 1734 inches; width, 12 inches. 


Second A fternoon. 


F RENCH, CHINESE, ENGLISH AND DELFT 
PORCELAINS | | 

270—Fovur Buve ann Wuite Miniature DELFT FalENcE VA , 
(4) Depressed bottle-shape; millefleur decoration. “2 : 

(3) Bottle-shape, with tapering neck in similar decom 5 . | 

(c) Quadrilateral baluster-shape; decorated with stella * 
blossom motives. al 

(») Dresden; double-gourd shape; floral decoration; le 
terminal. (Imperfect.) oe 


271—DeEcoraTED Porseias Vase, Birp anp Doce 
(a) Dresden; gadrooned vase with bird hand decorat 
with flowers. (Imperfect.) 
(s) Dresden style; bird, well modeled, perched on a scrolled 
base; decorated in lavender, brown and green. 


(c) Dresden style. Recumbent carriage dog, decorated EY 
with black on white. A = 


272—Two Decoratep PorcELAIN BOXES AND- AN Enamerep Bee 
Ervui ~ 

(a) Dresden style. In the form of a violin, with gilded =a 
bronze mountings. Watteau decoration. . S 
(3) Quadrilateral, with spired cover; panel decoration of — 
pastoral subject and landscapes on gilded turquoise-blue. __ 
(c) Etui with silver gilt mounting; decorated with various At 4 
classic subjects: The Three Graces, Venus and Cupid, Mer- 
cury and Apollo. 7 


273—Two Op Stvres Cups anp SAUCERS res 8 
Cups with handles. Floral decoration. Date, 1770. (One i 
cup and one saucer riveted. ) : ae 
From the Thomas Sutton Collection, England, 1917. 


274—Six SmMaLt~ Rounp CurnesE Porcetamn Trays 
Serrated edge, decorated in blue on white with inscribed 
circular medallion and succeeding bands of flowers, sym- 
bols and reserved rise pattern. 


: Second Afternoon 


275—Oxp CurnesE Famitite Verte Tra Cappy 
Decoration of figures, flowers and lattice pattern. 


From the Thomas Sutton Collection, England, 1917. 


276—O.p DrespEN Tra Cappy 


Decoration of flowers and fruits finely painted in delicate 
colors. 


From the Thomas Sutton Collection, England, 1917. 


277—Two Herart-sHaPpep PorcrLaAIn Boxes IN THE DRESDEN 
STYLE 


The hinged covers decorated in jewels, colors and gilding, 
respectively, with medallions of Henry IV and Francis I; 
the sides with landscape panels. (Jewels chipped.) 


278—TureEe Decorated Porcetain Cups anp SAUCERS 
(a) Empire style, with incurving sides; swan neck handle; 
on claw feet. Decorated with bust of young woman in 
square panel. 
(Bs) Empire, vase-shaped with scroll handle, decorated in 
colors and gilding with green landscape and figure amidst 
ogivals enclosing rosebuds. 
(c) Royal Vienna; straight-sided, decorated with panel of 
Cupid and Psyche in reserve on gilded lavender ground. 


279—TureEe Carvep CuHInese Ficurines 
(a) The “Twins of Harmony”; creamy jade figures stand- 
ing in close proximity. 
(p) One of the Taoist Immortals, “Ho Hsien Ku,” stand- 
ing, carrying his scepter; creamy gray jade. 
(c) Another of the Immortals, “Li Tieh Kuai,” standing, 
with one foot on a grotesque Kylin; white mottled lapis- 
lazuli. 


Second Afternoon 


280—BiseuE GRrouPr IN THE SEVRES STYLE 


Two Cupids, variously posed, playing musical instruments; 3 
on irregular rustic base. 


281—Two Drespen PorcELaIn Fieve : 
(a) Vulcan standing at his forge; decorated in colors and 
gilding, on round open scroll base. (Repaired.) aire 
'(s) Dresden style; standing figure of little boy in Wate am 
costume; in colors and gilding. (Chipped.) ——— 


282—Four Bisave Figurines iy THE Sivres STYLE oe 


Youth playing harp, maiden playing mandolin: Hebe and aan 
Flora. (Both chipped.) On varied plinths. ag 


288—Two DrcoratEep PorcELAIn Boxes 
(4) Capo di Monte style; oblong, with gilded broaae binge 
ing, decorated with subjects, nymphs bathing and ba 
cupids, in colors and gilding. 


(B) Shaped box with hinged cover; decorated with land 
scape in blue on white ground. 


284—BLUE AND Ware CHINESE PORCELAIN VASE OF THE CH’IEN- 
LUNG PERIOD 


Bottle-shaped; decorated with four-clawed dragon seeking : 


the sacred pearl of power amidst scrolled cloud forms. 
Height, 8 inches. 


285—Turee Wuite Porcenain Figurines 
(a) Seger porcelain; young girl in Watteau costume stand- 
ing on a square plinth. 
(3) Capo di Monte style; little girl and boy as cupids in — 
Watteau costumes playing musical instruments. (Both 
imperfect.) 


286—Two Decoratep PorcELAIN FIGURINES IN THE DrespEn 
STYLE | r 
“The Muses.” Standing figures in classic attire, decorated 
in colors. On scrolled plinths. (Repaired. ) 


Second Afternoon 


~ 287—Decoratep PorceLtaIn Figure anp Coverep MILK 


PITCHER 
(a) Dresden style: “La Jardiniére”; standing figure; deco- 
rated in blue. 


(s) Milk pitcher, Dresden; with mask spout and rustic 
handle, decorated in colors with bouquets of flowers. 


288—Two PorcEeLAIn FIGURINES IN THE CAPo pI Monte STYLE 


(a) Minerva; in the garb of a Roman soldier with flowing 
skirt. 


(s) Apollo; with laurel-crowned brow, attired in flowing 
drapery. 


289—Two DrespEN PorcEeLaIn PLATES 


290 


(a) Scrolled lobed rim, interrupted with shell motives; 
center circular starch-blue medallion, relieved with a wreath 


of gilded flowers. 
(8) Similar, without the starch-blue introduced. 


—DErcorRATED PorRCELAIN VASE AND JARDINIERE 


(A) Capo di Monte style; tall urn shape; decorated in 
relief in colors and gilding with nymphs bathing; on fluted 
stem and square plinth. 

(B) Sévres style; high bowl-shaped with two shell handles, 
decorated in colors and gilding with two perched birds 
amidst wreath, garlands of flowers and bowknotted ribbons 


above. 


291—Ostone PorcELAIN JEWEL CASKET 


Deeply shaped cassone form; enriched on cover and sides 
with reserve medallions occupied by ““Féte Champétre”’ sub- 
jects in colors on royal blue; background relieved with 
flutes; shell and floral motives in relief. Gilded bronze 
mounting. (Repaired.) 


Second A fternoon 


292—-Two CutnesE PorcELAIN owes | 
(a) Bell-shaped. Finely decorated in enamels with Tee 
arabesques interrupting medallions holding Show cha : 
acters in gold. 7 

(s) On short foot, with canted Tate the fatenue ar 
exterior invested with a mild turquoise-blue glaze. | ae 


293—Ontp CREAM-WARE FLOWER 0 AND TRAY 


neck, with cover sera for flowers ; cuichene in reli . 
with festoons of drapery and water leaves. Oe tray, << aa 


with guilloche molded rim. 
Height, Ty, inch 


294—Two DECORATED DRESDEN Posuetire FicurInEs 


“Les Jardiniers,” young man and maiden, in lacy Wat- Fe 
teau costumes. Man with hat of grapes and girl with © 
basket of roses; in colors and gilding. On key patterned — 


circular plinths. (Male figure chipped.) 
Height, 61, inohee aa 


295—Two Drcoratep NyMpHENBURG PorcELAIN FiIGuRINES 


(a) Standing figure; young woman with fan, in Watteau 
costume, her dress .held wide with right hand. On small 
octagonal plinth. ; 

(3) Standing figure of young woman affrighted by doeae 
in pastoral Watteau costume; on rustic plinth. 

Both in delicate colors on white, 


_ Respective heights, 61, and 7 inches. 


296—DecoratEp NYMPHENBURG PorRCELAIN GROUP 


Seated young woman, holding small birdcage on her right 
arm and a bird in her left hand; low-cut costume in delicate — 


colors and gilding. On rustic plinth. 
Height, 6 inches. 


Second Afternoon 


297—Two DeEcorATED PorcELAIN PLATES IN THE SEVRES STYLE 


Finely decorated center medallions in reserve, with Watteau 
pastoral subjects in delicate coloring; rims of turquoise- 
blue, enriched with gilded and jeweled arabesque borders. 


298—Two BLuE anp WuiTk CHINESE PorcELAIN DouBLe FLASks 


Pear-shaped, with reversing scrolled mouths; on lobed foot ; 
decorated with gadrooned spirals of trailing flowers. 


Height, 8°, inches. 


299—Two BuuE anp WuHuiTE CHINESE PoRCELAIN PLATES OF THE 
CuH’IEN-LUNG PERIOD 


Octagonal flarig marly, decorated with diaper, scrolled 
wave and floral border; center medallion with domestic fig- 
ures in landscape. 

Diameter, 9 inches. 


300—Two BLur anp WuireE CHINESE PoRCELAIN PLATES OF THE 
CH’IEN-LUNG PERIOD 


Flaring marly, with wave edge decorated with lobed panels, 
enclosing the flowers of the seasons repeated. Center me- 
dallion with a tall handled basket of flowers. 


Diameter, 9 inches. 


301—BLveE aNp Wuitt CHINESE PoRCELAIN GINGER JAR OF THE 
K’anc-ust PERIopD . 


Oviform, with flat, short-collared cover. Decorated with 
quatrefoil lobed medallions in reserve enclosing symbols of 
the “Hundred Antiques”; crackling ice ground, with re- 
serves of bouquets of prunus blossom in deep rich cobalt 


blue. 
Height, 9 inches. 


802—Bive anp Wuuire Porcenain GINGER JAR OF THE K’aAnc- 
HsI PERIOD 


Similar to the preceding, but slightly lighter in color and 


larger. 
Height, 91% inches. 


Second Afternoon — 


303—BLvuE AanD WHITE CHINESE PorcELAIN VASE 


Elongated flattened inverted pear-shape; small lobed necl <a 
and molded foot, decorated with double tier of shaped raised — - 
medallions, enclosing palace landscape; grounds simulating — 
shark’s skin, enriched with bouquets of flowers. 


Height, 11%, eg 2 


304—BuivrE anp WuitE CHINESE PorcELAIN CovERED VASE 


Graceful inverted pear-shape. Decorated with tall rere 
medallions interrupted by two double tiers of smaller ones, 
enclosing landscape and figure subjects; floral band on 
shoulder. Shark’s skin ground; dome cover with Dog Foo 
terminal. pee 
Height, 11% sachet! 


305—ItTatian Magsouica Tazza | eS 
Diruta. Cylindrical shape, on tall foot. Painted with the 
Sacred Monogram on geometrical shield, bordered by foliage — 
and scale pattern in fine lustre. Foliage and star ornaments _ 
on the exterior. os 

Diameter, 9 inches. 

From the Thomas Sutton Collection, England, 1917. 


306—Irauian Masouica TAzza 


Urbino. Subject of decoration: “Diana and Actexon,” and 


coat-of-arms above. re 
Diameter, 10%, inches. Se ys F 


From the Thomas Sutton Collection, England, 1917. 


307—DeEcoRATED PorRCcELAIN GROUP 


A lightly draped Bacchante, seated between two small 
Cupids, one with bunches of grapes, on the back of a 
goat, the other blowing a shell formed horn; decorated in 
colors and gilding. On oval scrolled plinth (chipped). 


Length, 9 inches. 
308—DecoraTED PorcELAIN GROUP 


A lightly draped Psyche seated in close proximity to See 
Cupid. On a tall scrolled square pedestal. 


Height, 12 inert, 


Second Afternoon 


309—DeEcoratTED DrespEN PorcELAIN GROUP 


Young girl seated under an almost leafless tree, costumed 
with very wide Watteau skirt. Beside her a young cavalier 
in green coat, with game, a dead bird, his morning’s shoot- 
ing. Decorated in colors and gilding on rustic plinth. 
(Repaired. ) 

Height, 9%, inches; length, 101% inches. 


310—TIwo DrcoratTep PorceLAIn Noppine Ficures 


Obese seated Chinese “Gods of Prosperity,” in flowing robes, 
loose nodding heads, tongues and hands, one with robe deco- 
rated with spray of flowers on white; the other, with flowers 
on pale blue, with bell and chain collar and dragon belt 
in gilding. (Defective.) 

Height, 1114 inches. 


311—Ovaut PorcenaiIn DisH In THE ScCEAUX STYLE 


Wave rim; decorated with leaf wreath and pearl border in 
gilding. Center with landscape, “Ruins and Figure.” 


Length, 1114 inches. 


312—Two Buiack Basatt Wepcwoop SPrpHINxX CANDLESTICKS 


Well-modeled Sphinx reclining on its haunches; fine black 
patera; the head supports a metal bobéche (defective). On 
oblong mahogany molded plinth, enriched with flutes. 


Height, 111% inches; total height, 1714 inches. 


3138—CuinesE Lowestort Bow, on CARVED AND GILDED STAND, 
OF THE EIGHTEENTH CENTURY 


Exterior richly decorated with panels depicting domestic 
Chinese scenes in landscapes interrupted with scroll panels 
of imbrications in pink. Interior medallion, surrounded by 
pink and lavender scrolled imbricated panels, enclosing birds 
and flowers. Typical coloring and gilding. Georgian stand, 
enriched with oval shields within shell motives, three seated 
chimere at corners and acanthus-leaf top. On circular 


plinth. 


Bowl diameter, 18 inches; total height, 17 inches. 


Second Afternoon 


TEENTH CENTURY 


Elongated inverted pear-shaped body; acnied cover ee 2 
gilded Dog Foo terminal ; _ dragon handles. — ee deco- 


flower spray at neck and cover. Typical colors and alia 


Stationary covers. (One repaired.) | 
Height, 121, incher. 


315—Buive anp Wuire Porcerain Temple Jar oF THE K'ane- 
Hst PERiop 

Inverted pear-shape, with spreading foot and walt valle Ps 

Enriched with fantastic peony blossoms amidst whorled 

leaf scrolls bearing many small tendrils. Spear-shaped leaf — 

leaf band at collar (no cover). Open carved wood stand. 


Height, 13%, inches. 


316—BuvE anp WuirTe PorcEeLain TEMPLE JAR OF THe K’anc-_ ‘ 
Hst PERiop 7 
Similar to the preceding, with a little closer formation in i 


the decoration. 
Height, 133, inches. 


317—B.ivE anv Waite Porcetain TEMPLE VasE 


Inverted pear-shape; high flaring foot; short collar. Deco- 
rated in rich cobalt-blue with large feng-huangs amidst 
fantastic peony scrolls; dentated band at foot and shoulder; 
ju-t band on collar. Pierced and carved wood dome cover. 


Height, 13% inches. 


318—BLveE anp WuirE CuIneEsE Porcetarn VasE oF THE EIcH- 
TEENTH CENTURY 
Bottle-shaped, flattened, quatrefoil-lobed in section; on — 

molded foot. Decorated with raised, shaped scrolled me- 
dallions on neck, body and foot enclosing palace landscapes — 

and figures. Pitted background enriched with floral sprays. 


Height, 16 inches. 


Second Afternoon 


319—Decoratep Empire PorceLtaAIn Ewer snp Basin 


Basin with lobed rim. Richly decorated; exterior with ob- 
long reserve gilded floral panels within coral pink bandings ; 
interior with gilded diamond motives in coral within lavender 
ovals. Ewer inverted pear-shape, with two gilded entwined 
snake handles; decorated with similar motives to the bowl. 


Ewer: Height, 1014 inches. 
Bowl: Diameter, 934 inches. 


320—CuInEsE LoweEstorrTr PorcELAIN GARNITURE OF THE EIGH- 
TEENTH CENTURY 


One large and two small vases. Quatrefoil-lobed flattened 
pear-shape, with long flaring neck and dragon handles. 
Enriched in relief and colors with squirrels amidst trailing 
vines and bunches of grapes forming upper, lower and side 
panels, enclosing scenes illustrating phases of Chinese do- 
mestic life. Typical coloring and gilding. (Defective.) 


Respective heights, 16 and 12 inches. 


321—Two Cuinese Lowresrorr PorceLain Covrerep VasEs OF 
THE EIGHTEENTH CENTURY 

Graceful inverted pear-shaped body with outcurving foot, 
cover surmounted by a seated Dog Foo. Charmingly deco- 
rated in colors with blue-bordered elongated medallions 
depicting subjects: “High Mandarin and Attendants 
Watching Performance of Sword Swallower”’; reverse, “An 
Archery Contest.” Grounds of minutely gilded scrolls, 
with detached sprays of roses in pinks and dark blue. 


Height, 201, inches. 
322—Bivur anp WuiTre CHInEsE PorcreLaIn CovEereD GINGER 
Jar oF THE K’anc-Hs1 PERIOD 
Ovoidal, with small collar and flanged and domed cover (not 
original). Decorated in cobalt-blue with figures in land- 
scape: “Mandarin Resting in Wheeled Chair after a Jour- 
ney” and “Taking Tea al Fresco.” (Collar defective.) 


Height, 121, inches. 


* Second Afternoon 


323—BLvE AnD WHITE CHINESE PoRCELAIN VASE OF THE CH’IEN- 
LuNG PERIOD | | 

Globular, with long outcurving neck, on high incurvate 

foot. Body decorated with finely scrolled lotus blossoms; 

neck with spear-shape leaf band; foot with a narrow jut; 


key and lattice bands. 
Height, 1514 inches. 


324—Frencu Terre-cuire Ficure. Late EicHTrentH CrEn- 
TURY STYLE 

Graceful standing figure of a young Bacchante, after 

Clodion. Nude, save light robe, which she is holding up 

to herself, making a pannier for many bunches of grapes; 

finished in dull clay color. On round plinth. (Plinth re- 


paired.) 
Height, 15% inches. 


325—FrencH TERRE-cuitE Group. In THE EIGHTEENTH CEN- 
TURY STYLE 


“Bacchante and Satyr.” <A replica of the famous original 
by Clodion in the Cluny Museum. A nude youthful 
Bacchante reclines on the ground and embraces a seated 
satyr; before them are Pan’s pipes and bunches of grapes. 
On oval rustic plinth. (Repaired.) 


Height, 1114 inches; length, 12 inches. 


326—T wo DrEcorRATED PoRCELAIN COVERED VASES IN THE SEVRES 
STYLE 


Pearl-banded ovoidal body, with fluted incurvate neck; gad- 
rooned cover, with acorn terminal. Decorated with reserve 
oval medallion of pastoral subjects and others of flowers 
interrupted with double jeweled husks, on Royal blue 
grounds with jeweled band above and leafage below; taper- 
ing pearl handles, terminated with gilded bronze female 


heads. 
Height, 16 inches. 


a? Woke 


Ek id 
: 7 


_ 


a 


Second Afternoon 


327—Larce Derr Vase anv Cover or THE E1GHTEENTH CEN- 
TURY 


Flattened inverted pear-shape; decorated in blue with me- 
dallions of raised floral scrolls enclosing subject depicting 
“Jesus at the Well.” Inscribed: Io. 4. V 5. Domed and 
flanged cover, terminating in a leaf scroll. (Imperfect.) 


Height, 16 inches. 


828—DeEcoraTED PorcELAIN GROUP IN THE DRESDEN STYLE 


“Bacchante and Satyr,” after Clodion. Satyr is seated 
on rocks with the Bacchante bending to him; each has an 
arm entwined round the other; the Satyr holds a basket 
of grapes on his knee, and a Cupid stands before them hold- 
ing up a small bunch of grapes. On circular plinth. (Re- 
paired. ) 

Height, 161, inches. 


3829—Very Fine Patissy Ware Disu 


This dish is beautifully modeled and finished, the design 
being from the renowned pewter dish by Briot, “The Tem- 
perance Dish.” ‘The center with a nude figure of Temper- 
ance holding a cup, and allegorical representations of the 
elements surrounding her, and Sciences on the rim, with a 
variety of Renaissance ornamentation. This dish is illus- 
trated in Solon’s book, “‘Old French Faience,” page 32. The 
companion dish is in the Louvre Museum, Paris. Framed 
under glass. 

Diameter of dish, 16 inches. 


From the Thomas Sutton Collection, England, 1917. 


38380—LarcE AnD Fine Ursino Disu 


Deep form, and elaborately decorated with a scriptural 
subject after Raphael, skilfully painted in brilliant tones 
of yellow, red and blue. The reverse, of buff glaze and 
inscribed in blue: “Son Fati Dono, al Popolo Romano.” 
Mounted in a large carved wood and gilded frame. 


Diameter, 18 inches, exclusive of frame. 


From the Thomas Sutton Collection, England, and formerly in an 
important private collection of a connoisseur, which was sold at 
Christie’s, London, March 15, 1917. Catalogue No. 37. 


[pe 


Second Afternoon 


331—DecoraTep Porcetain Bowt MovuntEep witH GILDED | 


BronzE IN THE SEvRES STYLE 


Elaborately mounted as a jardiniére, the cover used as a 
plinth. Enriched with oval scrolled pink imbricated border, 
and landscape after Boucher: “Children Playing”; gilded 
ram’s head and green laurel wreath handles. Cover similar, 
with green and gilded pineapple terminal. Mountings of 
acanthus-leaf rim, floral scroll handles supporting demi-leaf 
scrolled female figures holding festoons. Leaf and flute 
molded base, on button and leaf feet. 


Height, 191, inches; width, 17 inches. 


382—-DEecorATED PorCELAIN COVERED COUPE IN THE SEVRES 


STYLE 


Circular bleu-de-rot bowl, enriched with gilded, wreathed 
reserve medallions of pastoral subject: Shipping scene and 
Venus and Cupid; supports of lions’ heads, with truss and 
claw feet; inset cover with mushroom terminal. Elabo- 
rately mounted in gilded bronze, with open leaf-scroll rim 
supporting six scrolled arms; open leaf scroll and shell 
base, with inserted porcelain panel of bird, sustaining dol- 
phins with upright tails to uphold the bowl. (One dolphin’s 


tail missing, one arm broken.) 
Height, 241/, inches. 


333—LarcEe CopELAND FarmncreE VAsE anp CovER 


Oviform, with straight collar and domed cover terminating 
in a seated Dog Foo; on spreading foot; decorated in coral, 
pink and gilding with reserve lobed medallions of varied 


flowers and floral bands. 
Height, 27 inches. 


3384—Decoratep PorceELAIN VASE IN THE SEVRES MANNER 


Oviform body with tall incurving neck, on slender spread- 
ing molded foot. Decorated with scrolled medallions: 
“Cupids and Psyche”; reverse with landscape; the enrich- 
ment is in iridescent pastel coloring and gilding. Mounted 
in gilded bronze, with cupid and scroll handles; various 
moldings and circular broken laurel plinth. Revolves. 


Height, 3414 inches. 


Second Afternoon 


‘ /3 a 335—DecoraTEeD PorcELAIN VasE IN THE SEvRES Manner 

7 Oviform body with incurving neck, on molded foot. En- 
riched on gilded royal blue grounds with oval medallions in 
reserve; obverse, children in Watteau costumes playing; 
reverse, bouquet of flowers; elaborately mounted in gilded 
bronze, with open cresting at mouth; key scroll and ram’s 
head handles, and circular laurel plinth on broken square 


base. (Repaired.) 
Height, 40 inches. - 


MENE AND OTHER BRONZES, CLOCKS, 
CANDELABRA AND MARBLES 


- 886—Doe 
By P. J. Méne. A life-like representation of a setter dog, 
if ~ a» + his right paw raised. Golden brown patina. Signed. 
Height, 134 inches. 


3387—Quvuackine Duck 
By P. J. Méne. On oval base. Golden brown patina. 


a 
a eet 
Qe a Signed. 
} Height, 314% inches, 


338—Pair or STATUETTES 
hee hueBy P. J. Méne. Two blooded stallions. One beside a rustic 
ie A>- fence and the other amid waving grasses. Brown patina. 
‘ff A Oval bases. Signed. 
Heights, 21, inches and 2%, inches. 
339—GrouPp 
By P. J. Méne. Mare and foal beside a feed basket. The 


muscular development and veins showing beneath the thin 
skin of the dam. Yellowish brown patina. Signed. 


Height, 234 inches; length, 6 inches. 
3840—ReEcUMBENT GOAT 


“0 _ By P. J. Méne. With hoofs well drawn under it and head 
J” f* SW ~extended. Golden brown patina. Oval base. Signed. 


“fl 
A: J 
3] “ier Height, 21%, inches; length, 5 inches. 


Second Afternoon 


341—EwneuisH TERRIER 

By P. J. Méne. Well poised, apparently waiting for some- 

. 974 “x % one to throw the ball which lies at his feet. Golden brown 
ye J * patina. Oval base. Signed. 


Height, 4°, inches; length, 5%, inches. 


| 342—StTac on THE ALERT 
| = By P. J. Méne. A stag of twelve tines, with legs braced 
| } =i Fe G poy in an expectant attitude. Golden brown patina. Oval base. 


Signed. 
Height, 5 inches; length, 51, inches. 


343—GrRovuP 
ee By P. J. Méne. Two hares crouching beside waving grass. 
/ ( “ Brown patina. Oval base. Signed. 
Lo. Ahh 2 
\/ we Height, 3% inches; length, 51, inches. 
344—AniMAL GROUP 
By P. J. Méne. Greyhound and hare. The well-bred racing 
| animal deep-chested and with well-developed muscles, carry- 
iv ing his limp prize in his mouth. Brown patina. Rectan- 
gular base. Signed. 
Height, 5 inches; length, 7 inches. 
ope 345—AnimaL Group 


By P. J. Méne. Three goats. The long-horned buck with 
mouth partly opened, well poised and alert. The doe lying 
down and by her side a bleating kid about the neck of which 
is a tripod yoke. Golden brown patina. Oval base. 


Signed. 
Height, 5 inches; length, 81%, inches. 


346—AnimaL Group 
By P. J. Méne. Italian greyhound and spaniel. The artist 
catching the marked contrast in the two breeds. Between 
them lies a half-opened fan. Brown patina. Oval base. 


Signed. 
Height, 6%4 inches; length, 10 inches. 


tute we 


f 


b y> ~ 347—AnimaL Group 
4 of. By P. J. Méne. Ewe and lamb. The mother, whose head 


is slightly turned to the left, is suckling her very young 
lamb. Brown patina. On oval base. Signed. 


Second Afternoon 


emt 


rs re 


i 
\z 
if Height, 6 inches; length, 9 inches. 
t 

} 


Za = 348—Goar 


_ By P. J. Méne. Long-haired and with wide-spreading horns. 
Head turned slightly to the left. Brown patina. On a 
rectangular base with rounded corners. Signed and dated 
1844. 

Height, 8 inches; length, 91% inches. 


849—Goat FEEDING 


y. By P. J. Méne. Doe. Companion to the preceding. Brown 
b- ye” patina. On rectangular base with rounded corners. 
Signed and dated 1845. 


Height, 6 inches; length, 9%4 inches. 


| Pole, - 8§50—B.LEatTInc SHEEP 
ee By P. J. Méne. Long-tailed. With mouth slightly opened 
and head turned to the left. The fleece short. Golden 
Y _ brown patina. On a rectangular base with rounded corners. 


Signed and dated 1864. 
Height, 8 inches; length, 9 inches. 


Ge _- 851—GREYHOUND 


By P. J. Méne. Clean cut and trained to the minute. 
4 © Every muscle and rib outlined beneath the thin skin. Head 
; © turned slightly to the right. Brown patina. Rectangular 
base with rounded corners. Signed. 


Height, 8% inches; length, 11 inches. 


352—HorskE 


ie se By P. J. Méne. Standing at ease. Muscular, thin skin 
/2 4, ~/ -showing the veins beneath. Sloping shoulders and short 
© coupled. Altogether, the aristocrat. Brown patina. On 

an oval base inscribed, Ibrahim. Signed. 


Height, 12 inches; length, 14 inches. 


Second Afternoon 


| ) oe 353—Horse BesivE Rustic Fence 

By P. J. Méne. Large model. Spirited rendering of the 
thoroughbred animal, differing but slightly in pose from 
a : the small model previously described. Greenish brown 
TA patina. On oval base. Signed and dated 1846. 


Height, 114% inches; length, 15 inches. 


354—Stac Browsine 

~~ By P. J. Méne. Neck stretched to reach the leaves of a 
out gnarled tree. Large antlers with thirteen tines. Brown 
a S « patina. Rectangular base with rounded corners. Signed. 


\F Height, 14 inches; length, 15 inches. 


: 355—Hunrer anp Doe 
i f= By P. J. Méne. Aged horse fully equipped with saddle, 
i eg breast plate and bridle, playing with a crop-eared bull-dog. 
\ The dog standing on a blanket and the horse amid straw. 
: Greenish brown patina. Oblong base with rounded cor- 


ners. Signed. 
Height, 914 inches; length, 1814 imeches. 


ep 
Fosseasiny 
May 


356—Bu Li 
By P. J. Mene. Full grown animal with slightly swayed 
back and heavy dewlap. Head turned to the left. Golden 
brown patina. Rectangular base with cut corners. Signed. 


Height, 6 inches; length, 14 inches. 


/ 6 e 357—Cow anp CaLr 
By P. J. Méne. The mother’s head turned to the right to 
caress her young calf. Brown patina. On oblong base 


with cut corners. Signed. 
Height, 81% inches; length, 1314 inches. 


f A = 358—AnimaL Group 
Dae Boce By P. J. Méne. Tiger in death grip with a crocodile. A 
great cat straining every muscle in tearing at the hardened 
\ hide of the saurian. Golden brown patina. On oval base. 
Signed. 
Height, 7 inches; length, 1514 inches. 


Second Afternoon 


$59—Barye Bronze 


subject. The tiger gripping the gazelle and sucking his 
blood. Brown and green patina. On oval base. Signed, 
Barye. ; 


& “Tiger Devouring a Gazelle.” A well-modeled cast of the 


Height, 4°/, inches; length, 121% inches. 


> — 360—Barye Bronze 


“Theseus Fighting the Minotaur.” Green patina. Cast by 
f rbédienne. Signed by Barye and by the founder, and 


wl e founder’s stamp in gilt. On rectangular base. 


Height, 181%, inches; length, 12 inches. 


=o 


361—Very Fine Firreentno Crentury FLorentTINE Bronze 
STATUETTE 


Figure of an orator draped in antique Roman costume. 
| pe An extremely rare and valuable piece of cire perdu bronze. 
f,O" “\. It came from the Borghese Collection, the Bardini Col- 
wSk- lection and the Sambon Collection and from Paris, May, 


ie) 1914. Date, 1480-1490. - 
oe , Height, 12 inches. 


From the Thomas Sutton Collection, England, 1917. 


=) 
862—Two Gitpep Bronze CirncuLar Piaaues 


One, “Pyramus and Thisbe,” after Clodion. Lightly draped 
figures, Pyramus tenderly embraces Thisbe; they advance 
pa toward the altar of Love. The other similar in composition. 
a On square red Verona marble panels. 

Diameter, 5 inches. 


863—Ruwvss1an Bronze Ficurine 


Reclining figure of a peasant clad in sheepskin coat and 
hat, and top boot; on irregular oblong crystal plinth. 


be 3864—T wo Croisonn& AND Bronze Vases. FRENCH, IN THE JAP- 
ANESE STYLE 


Tapering oblong bodies, incurved at neck; enriched with 
floral and lattice panels on turquoise and dark blue grounds 
in colors. Dragon-head handles and scrolled bases of gilded 
bronze. 

Height, 7 inches. 


Second Afternoon 


865—CutnesE CLorsonnk ENAMEL OI OF THE CH’IEN- 
LUNG PERIOD 


Octagonal vase-shaped socket, on scrolled oblong plinthy 
with entwined floral scroll handle; finely enriched with 
all-over lotus scrolls in red, yellow, white, green and dark 
blue on a turquoise ground. 


3866—JAPANESE SHIBUICHI AND SILVER VASE 


Beaker-shape, with trumpet foot and neck decorated in re- 

_ lief with a band in center occupied by a marvelous four- 
clawed dragon, by Hidehiro. ae 

Height, 7%, inches. 


367—JAPANESE SHIBUICHI AND SILVER VASE 


Bottle-shaped, with flaring neck and spreading foot. En- 
riched in shakudo and silver with seagulls in flight and 
perched on rocks, and floral inlay of gold at foot. Sig- 


nature and seal of Hidehiro on side. 
Height, 11 Sache 


368—OvaL Canton ENAMEL JARDINIERE OF THE CHINESE 
CH’IEN-LUNG PERIOD 

Charming quatrefoil-lobed bulbous shape, with short collar 

and foot. Beautifully enriched, on a fine turquoise blue 


ground, with a minute medley of trailing flowers in rich a 


colors. 
Height, 6 inches; length, 91% inches. 


From the Sir Julian Goldschmidt Collection, London. 


369—CLoIsonnE EnamMeEL TRAVELING Repeating AtarM CLocK 


Rectangular glazed case; corner columns of enamel, with 
gilded Corinthian capitals and bases. Turquoise enamel 
face plate with two gilded dials, smaller to regulate alarm. 
Has regulator to strike hours, quarters, silent; heavy lift- 
ing handle. Made by Theodore B. Starr. 

Height, 8 inches. 


Second Afternoon 


370—GiLpED Bronze INKsSTAND IN THE Louis XV STYLE 


Two scroll-covered wells, set amongst an elaborate open 
rococo scrolling of leafage with balustered top. 


Length, 13 inches. 


371—Bronze FicurinE 


“The Evil Genius of War.” Vicious seated satyr, with 
ram’s horns on head and combed crest and long waving 
/ mane, at back enshrouded in his large bat-wings; long 
v clawed feet; he is crouching with chin resting on one hand 
and holding a short sword in the other. Rustic base; deep 
rich patera. On oblong pink and black marble base. 


Height, 9% inches. 


-372—SMmaLu GILDED Bronze ConsoLe Ciock In THE Louis XVI 
STYLE 
*“Falconet” model. A nude Bacchante, reclining on a rocky 
mound, holds aloft a cup of wine; painted porcelain dial, 
surrounded by rhinestones and set in rockwork. Oval statu- 


ary marble plinth. 
Height, 914, inches; width, 7 inches. 


373—GILDED Bronze ELECTROLIER IN THE Lovis XV STYLE 


Reeded, scrolled stem, with two supporting arms for shade. 
On scrolled foot, enriched with shell and leaf motives. 


374—GiILpED Bronze Watt APPLiauEs IN THE Louis XVI STYLE 
Shafts in form of half quiver, enriched with flutes, leaf and 
husk motives, surmounted by a flamed and draped vase; — 
two acanthus leaf scroll arms. Wired for electricity. 


(Small pendant missing.) 
Height, 17 inches. 


375—Goup Initaip CHINESE Bronze UTENSIL 


“A Fantastic Standing Bird.” In the form of an old Han 
sacrificial. wine vessel, enriched with thunder and dragon 
scroll bands, with portions of scrolls inlaid with gold. 


Height, 10 inches; length, 17 inches. 


Second A fternoon 


376—Two GiLpED Bronze LusterEp CANDELABRA IN THE LOUIS 
XVI StyLe : 


Twisted fluted acanthus-leaved baluster stan saneren on a8 
a gadrooned flange and a bell-shaped foot similarly en- 
riched to stem, upholding two further fluted stems which 
terminate in a bobéche and throw off three scroll arms at 
lower section and two at upper section for lights, the vari- 
ous bobéches enriched with lustred festoons, finely shaped __ 
drops and triangular prisms. (Arm of one candelabrum 
missing. ) oe | 

Height, 25 inches. 


377—Two Bronze Ficurrs IN THE EIGHTEENTH CENTURY 
Frencu STYLE 


“Printemps” and “L’Eté.”’ Graceful standing fore of | 
young maiden in loose classic draperies caught by shoulder 
bands. Rich green brown patera. On molded circular gray 


and black marble plinths. 
| Height, 21 inches. 


378—Encuish Manocany Bracket Cutme Crock or THE E1cH- 
TEENTH CENTURY 


Rectangular case, with scale lattice brass side panels. 
Arched door, painted dial, with two small extra dials for 
strike and silent, slower and faster; hollowed and domed 
top, with four brass pineapple terminals at corners; molded 
plinth on four brass feet. Made by Witchew, London. Pen- 


dulum and key missing. 
Height, 21 inches; width, 11 inches. 


$70-—Cinpep Bronze Vase Crock 1n THE Louis XVI Sryte 


Covered vase, with pineapple terminal and two key shaped 
handles. Enriched with heavy festoons of laurel leaves, 
two annular revolving dials, one porcelain denoting hours 
and the other minutes. Two coiled snakes at crown and 
foot mark the time with their outthrust tongues. Sup- 
ported on a high section of a fluted column, draped with 


fringed festoon. On square plinth. 
Height, 221% inches. 


Second Afternoon 


880—GiLpED Bronze aNp PorceLaiIn Lyre Consote CriocKk IN 
THE Louis XVI StyLE 


“Marie Antoinette” model. Bronze laurel and acanthus 
leaved open-scrolled lyre, enriched with pearls and a sun- 
burst mask at crown; the regulator pendulum forms the 
strings and supports a swinging annular rim of large rhine- 
stone, which fluctuates round the porcelain dial; supported 
on a molded oval bleu-de-roi porcelain plinth, enriched with 
festoons of flowers, leaf and rope molding and inserted floral 
scroll band; on button feet. Made by Robins, Paris. 


Height, 231, inches. 


381—Bronze Group oF THE SECOND Empire PeEriop 


“Pyramus and Thisbe.” Departure and Return. Stand- 
ing in close proximity in classic garb, in one, Thisbe is 
hooded for departure; in the other, they embrace each other. 
Dark rich patera. Mounted on rectangular plinths of rich 
Siena marble, embellished with bronze moldings and trophy 
appliqué of bow, quiver, flaming torch and ribbons. 
Height, 28%, inches. 


382—Bronze Group. FrencH, IN THE EIGHTEENTH CENTURY 
MANNER 
“Venus.” Falconet model, founded about fifty years ago. 
Charming, graceful standing nude figure of the goddess 
holding a flowing drapery over her slightly raised left hand, 
which partially floats over her body and is festooned behind 
her with the other hand; a dolphin with erect curled tail 
is immediately in front of drapery. Rich dark brown black 
patina, with dull yellowish green areas. On circular molded 
red Verona marble plinth. Total height, 24 inches. 


883—GiLpED Bronze Empire Mantet Crock 


“Psyche Attacked by Cupid.” A chaise-longue, terminating 
in a scrolled end at left and rectangular clock dial at right, » 
supports a seated nude Psyche, who is partially enveloped 
in a large swathed drapery under which Cupid has hidden; 
he has discovered himself and is darting an arrow at Psyche. 
On molded oblong plinth, enriched with laurel and rosette 
appliqué and leaf motives. (Key and pendulum missing.) 

Height, 1514 inches; length, 171% inches. 


Second Afternoon 


384—-InTEREsTING GILDED Bronze MantEet Ciock oF THE 
Seconp Empire PeEriop 

Pallas, clad in clinging chiton and flowing robes, girdled 

with a skin, Medusa head and several snakes, crested with 

a Roman helm and holding a spear in her right hand, is 

seated on a square block, holding a circular silvered and 

imbricated dial. Supported on stepped oblong plinth, 

enriched with a many-wreathed staff appliqué and leaf 
molding. On blossomed scrolled feet. 

Height, 21 inches; width, 131, inches. 


385—LarceE GILDED Bronze JARDINIERE. FRENCH, EIGHTEENTH 
CENTURY STYLE . 
Tall inverted bell-shape; enriched with a paneled band. 
“Diana and Nymphs Hunting,” and “Acton Discovering 
Diana.” Crown molding of acanthus and water leaves, 
honeysuckle banding toward foot and larger acanthus and 
floral appliqués at base; double scrolled handles upholding 
nude classic figures and festoons of flowers. Enriched 4 
baluster support, with oak-wreath foot. On square rouge 
royal marble plinth. Height, 221/, inches. 


386—GiLDED Bronze Mantet Ciock oF THE Empire PErRIop 


Enriched molded rectangular canopied top, sustaining cir- 
cular porcelain dial. Supported by four caryatids in classic 
garb standing on an oblong molded plinth; enriched with 
fine acanthus and water leaf molding. Height, 201, inches. 


387—GILDED Bronze anp Marsie Crock in THE Louis XVI 
STYLE 
Festooned gadrooned dove marble, covered vase sustaining 
two small annular porcelain revolving dials; enriched in 
bronze with surrounding allegorical figures of Painting and 
Sculpture, amidst clouds, a Cupid seated at the base, with 
wreath of flowers. Sculpture standing at left and a further 
Cupid about to crown her with two garlanded wreaths. 
Supported on broken oblong statuary marble plinth, with 
broad hollow molding; enriched with appliqués of wreaths, 
pearl moldings and central plaque of Cupids playing 
musical instruments; on ball feet. (Cover of vase cracked 
and no key.) Height, 23 inches; length, 211, inches. 


Second A fternoon 


388—GILDED Bronze Porcretain Crock 1n THE Louis XVI 
STYLE 
Variant of the original made for “Marie Antoinette.” Lyre- 
shaped in Royal blue porcelain on oval molded plinth; the 
white porcelain dial in the crux of the lyre is surrounded 
by the circular rim of the pendulum, which is enriched with 
large rhinestones. Elaborately mounted at crown with 
sunburst mask, pateras and festoons of flowers; at foot, 
with sprays of laurel leaves; the plinth, with moldings and 


garlands. 
Height, 2514 wmches. 


389—GILT-BRONZE TABLE Lamp 


Figure standard typifying the Harvest. Fitted for six elec- 


tric lights. 
Height, 3 feet. 


390—Srer or GiLtpEpD Bronze Fire-1rons IN THE GEORGIAN 
STYLE 
Fluted and husk handle with acanthus-leaf terminals and 
central boss. Consisting of poker, shovel, tongs and vary- 
ing small coal tongs. 


391—Ser or Brass CotontaL Fire-1rons 
Annular molded tops, with facetted handles and molded boss 
in center of stems. Consisting of poker, shovel and tongs. 


392—Larcr Repousst Brass WinE Ewer anp DisH IN THE 
RENAISSANCE STYLE 

Oviform body, enriched with husked gadroons on shoulder 
and foot; straight collar with mask and scrolls; domed 
cover terminating in figure of boy and dolphin; leaf-scrolled 
spout and handle with crouched dragon top; deep molded, 
fluted, gadrooned and ‘scrolled base. Circular dish, with 
turnover rim enhanced with husked gadroons and pearls. 


Height, 30 inches; diameter, 24 inches. 


Second A fternoon 


893—RepoussE Brass Bason. VENETIAN, OF THE SIXTEENTH : 
CENTURY 


Circular, with straight sides and wide flanged rim, ened 
with punched double-leaf wreath enclosing small florettes. 
Center medallion with two bands of Gothic inscription en- — 
closing subject, “The Annunciation of the Virgin.” Sur- 
rounding border of Gothic character; outfacing lion masks 
sustaining stiff bunches of grapes, flanked by large single 
grape leaves and alternating with lobed motives. 


Diameter, 23 inches. 


vy 


394—Pirercep Brass JARDINIERE. ENGLISH, IN THE EIGHTEENTH 
CENTURY STYLE 


Oval, with two tiers of oval and bar piercings, flanked se | 
bossed pearl bands, molded rim and foot. Lion mask and 
ring handles. Loose interior lining. 


Height, 121% inches; length, 14 inches. 


3895—Two Brass CanpELABRA IN THE DutcH RENAISSANCE 
STYLE 
A ribbed baluster stem, on circular molded foot, supports 
a seated lion upholding a coat-of-arms and in its mouth 
two scrolled arms for lights. 
Height, 15-inches. 


~ 


396—OL.p Brass BELL ann SMatt CANDELABRUM 


(a) Bell. Italian Renaissance manner, enriched in relief 
with stag hunt above, and at foot variously with masks and 
arabesques; small baluster handle terminating in a seated 
woman with game. 

(B) Seven-branched; on double octagonal plinth. 


Second Afternoon 


3897—ALABASTER Buppua. Inpo-THIBETAN, OF THE SEVEN- 
TEENTH CENTURY 
“Maitreya.” The all-wise and far-seeing Buddha. Archaic 
standing figure, with downcast eyes and large ears denoting 
wisdom, wearing a heavy widely spread robe and close-fitting 
pointed cap. Cap and robe roughly lacquered brown; fea- 
tures outlined with colors. On flaring molded mahogany 
plinth. 
Total height, 251, inches. 


898—CarraRA Marsie FIcure 


“Egyptian Dancing Girl.” Nude to waist, attired in loose, 
clinging skirt, scarab necklace and pendent beads; hair 
dressed with a crossbanded coronet enriched with an eagle 
in front; wearing a snake armlet. By C. Contri. (One 
finger repaired.) 

| Height, 26 inches. 


899—CarrarA MarspuE AND Onyx FIGURE 


“Cleopatra.” Standing on a rustic pedestal of warm gray 
onyx veined with redy nude bust of Carrara marble, with 
deep pendent winged peacock head-dress; skirt of gray- 
veined onyx, trimmed with a fringed ceinture and deep band 
of embroidery at foot. On black and green marble plinth. — 


Height, 25 inches. 


400—STATUARY MarspiE Ficure 


“Phryne.” Graceful standing nude figure looking down- 
ward, her left hand upholding a drapery festooned behind 
her, to her slightly extended right hand. An armlet on her 
right arm. Signed: Campagne. On square base. 


Height, 341, inches. 


401—Rovce Brescia Marsie PEDEsTAL 
Plain circular shaft, with molded capital and base. Square 
top revolves. On square plinth. 


Height, 41 inches. 


Second Afternoon 


402—Green Onyx PepEsTar ) 
Square shaft, mounted with gilded bronze moldings at 
capital and base. Square top revolves. On square canted 


top plinth. (Top repaired.) 
Height, 321, inches. 


403—Carrara Marsre Ficure | 
“Birth of Venus.” Nude, graceful figure rising from the 
waves; she holds aloft her long tresses. On square molded 
plinth, enriched with musical trophy and capped at foot 


with bronze fillet. . 
Height, 55 inches. 


COLLECTION OF RARE EIGHTEENTH CENTURY 
ENGLISH NEEDLEWORK PICTURES 


404—Ovan Nerreptewor« Picture. ENeLisH, or THE E1cH- 
TEENTH CENTURY 
“Perdita.”’ Said to be a portrait of Mrs. Robinson. Stand- 
ing in ample robes of pale green with a mantle of crimson be- 
neath a tree, gazing at a small dog; sheep in a field beyond. 
Solidly executed in colored silks with features and sky 
painted on silk. Attributed to Hamilton. In carved and 
gilded frame of the period. : 
Height, 15 inches; width, 114% inches. 


405—Ovat Nereptework Picrure. Enenisu, oF THE EzcH- 
TEENTH CENTURY 
“Flower Girl.” In rustic attire, a large basket of flowers 
on her head, she descends a slope, holding by the hand a 
little boy; trees in background. Features and sky beauti- 
fully painted on silk. Painting and design attributed to 
Francis Wheatley. In carved and gilded frame of period. 


Height, 13%, inches; width, 1134 inches. 


Second Afternoon 


406—Ovat Neepitework Picrurre. Eneusy, or THE Eren- 
TEENTH CENTURY 
“A Shepherdess of Quality.” Said to be a portrait of Mrs. 
Bennington; seated under a willow tree on a mossy bank, 
a pool and a goat before her. The sky and features de- 
lightfully painted on silk. Attributed to Hamilton. In 
carved and gilded frame of period. 


Height, 12%, inches; width, 10 inches. 


407—SevuareE NEEDLEWORK Picture. ENGusH, oF THE EIGH- 
TEENTH CENTURY 

“A Vestal.” Said to be a portrait of Mrs. Cosby; standing 
before a wreathed and pedestaled urn, with long wreath 
festoon in both hands; attired in ample robes. The features 
and sky beautifully painted on silk. Attributed to Hamil- 
ton. In carved and gilded frame of the period, with black 
and gold glass mat with oval opening. 


Height, 13 inches; width, 10 inches. 


408—Ovat NeEepuewor«k Picture. ENGLISH, OF THE EIGH- 
TEENTH CENTURY 
“Una and the Lion.” Portrait of Lily Maxwell. Seated 
in a woodland glade, a grotesque lion at her right and a 
donkey partly seen behind her. Features delightfully 
painted on silk; attributed to Singleton. In square carved 
and gilded frame, with oval mat, of the period. 


Height, 121, inches; width, 10 inches. 


409—Ovant NerpteEwor«K Picture. ENGLISH, oF THE EIGH- 
TEENTH CENTURY 

“The Harpist.” The fair subject kneels before a votive 

pedestaled urn playing a harp, under a spreading tree; a 

castle amidst dense woods in the distance. Attributed to 

Wheatley. In square carved and gilded frame of the 


period. 
Height, 141% inches; width, 12 inches. 


Second Afternoon 


410—SeuarE NEEDLEWORK Picture. ENGLISH, OF THE Ereén- 
TEENTH CENTURY ay 

“A Votive Offering to the Altar of Werter.” Said to be a 
portrait of Miss Cowley; standing, in delicate blue and 
gray costume, before a pedestaled urn inscribed “Werter,” _ 
under a small tree. The features painted and applied to silk 

sky as background; attributed to Hamilton. In square — 
gilded frame with oval opening. | 


Height, 14 inches; width, 12 inches. 


411—Ovat NEEDLEWoRK Picture. EnewisH, oF THE EIGH- 
TEENTH CENTURY 3 | 


“A Lover’s Thought.” Said to be a portrait of Miss 
Whittle; as a shepherdess, seated in loose crimson robe and — 
blue mantle under a tree, her sheep beside her. She is in- 
scribing hr lover’s name on the tree trunk; features and sky 
painted on silk. In square gilded frame with oval opening. 


Height, 14 inches; width, 13 inches. 


412—Ovan NEEDLEWORK PicturE. ENGLISH, oF THE EIGH- 
TEENTH CENTURY 


“A Votive Offering to Shakespeare.” A fair lady in ample 
classic robes scattering flowers on the tomb of the great 
poet; features and sky painted on silk; attributed to 
Wheatley. In square frame with oval opening. Ligne 


Height, 15 inches; width, 121% inches. — 


4138—-NEEDLEWoRK Picture. Irauian, oF THE EIGHTEENTH 
CENTURY / 

“Virgin and Child.” Seated with the Holy Child on her 

knee, in ample robes, before a large old tree in a rocky land- 

scape; at right is a towered bridge over a stream. After 

Correggio. Signed: Eques Pati. In molded, mirror frame 
enriched with gilded bronze mountings. (Imperfect.) 


Height, 914 inches; width, 72 inches. 


Second Afternoon 


414—OvanL NerepLework Picture. ENGuLisu, or THE Ercu- 
TEENTH CENTURY 


“Squire Western and his Daughter.” Promenading in a 
quaint old landscape with a country house at right; fea- 
tures and sky skilfully painted on silk; attributed to Rich- 
ardson. In gilded oval frame. 


Height, 1514 inches; width, 181%, inches. 7 


415—Rare SeuarE NEEDLEWoRK Picture. ENGLISH, OF THE 
EIGHTEENTH CENTURY 


“Abraham about to Sacrifice Isaac.” Abraham, richly clad, 
stands with sword uplifted before an altar, arrested in the 
act of striking off the head of the kneeling Isaac; above, 
amidst clouds, “The Angel of the Lord” appears and 
restrains the descending sword. The amusing and fantastic 
foreground, of uneven sward, is filled with small animals, 
dogs, sheep, rabbits, a ram, an antlered stag and an urn 
of incense; flanking trees with birds and squirrels. Executed 
in solid stitches of brilliant colored silk on an ivory silk 
ground. Inscribed by the embroidress and dated: M. Hutt 
Feb. 16, 1783. In gilded frame. 19 inches square. 


416—Oxntone NEEpLEworRK Picture. ENGuisH, oF THE EIcGH- 
TEENTH CENTURY 
“Jacob Meeting Leah and Rachel.” Jacob, seated partially 
behind a rock, watches Leah and Rachel driving three 
sheep into a brook to water; background of hills and trees. 
The features and sky painted on silk; attributed to Hamil- 
ton. In gilded frame with black glass mat. 


Height, 17 inches; width, 20 inches. 


417—OvaL NeEpDLEWorK Picture. ENGLIsH, oF THE EIGH- 
TEENTH CENTURY 
“A Lover’s Thought.” Said to be a portrait of the fair 
embroidress, seated in loose crimson robes, her sheep at her 
feet, inscribing on a tree trunk “Tancred.” The features 
and sky painted on silk; attributed to Hamilton. In gilded 
frame, oval black glass mat. (Imperfect. ) 


Height, 1414 inches; width, 12 inches. 


Second Afternoon 


418—Beravutirut Ovat NEEDLEWORK Picture. ENGLISH, OF THE 
EIGHTEENTH CENTURY 

“Blindman’s Buff.” Four young girls in delicately tinted 

costumes are playing the old-fashioned game in a lightly 

wooded landscape. Sky and features delightfully painted 

on silk; attributed to Singleton. In gilded frame with oval 


opening. (Defective.) : 
Height, 14 inches; width, 17 imehes. 


ENGLISH AND FRENCH COLORED PRINTS 


419—Two EnexisH CoLorep Prints 
(a) “Hebe,” printed on silk after Stothard. In gilded 
frame. 
(3) Mrs. Gumbledon. Mezzotint after Allan Ramsay. In 
black and gold frame. 


420—EnexisH CoLorep Print 3 
“Sophia Western,” after Hoppner. In black and gold 


frame. 


421—-Two Frencn Conorep Prints 


(a) “L’Eté,” after Lancret. 
(s) “La Rose,” after Debucourt. 
In gilded frames with French mats. 


422—Two Frencu Contorep Prints 
“Le Déjeuner anglais” et “La Lecon interrompue,” after 
Lavreince. In gilded frames with French mats. 


423—Two Frencu Cotorep Prints . 
“La faute est faite” et “La Comparaison,” after Lavreince. 
In gilded frame with French mats. 


Second Afternoon 


424—Two Frencu Couorep Prints 


“Nina ou la folle par Amour,” after Houin. 
“La Rose d’Amour,” after Bonnet. 
In gilded frames with French mats. 


425—Two Frencu Cotorep Prints 


“Le Minuit de la Marie,” after Debucourt. 
“Colin Maillard,” after Lavreince. 
In gilded frames with French mats. 


426—Two Frencu Couorep Prints 


“Les Compliments” et ‘‘Les Bouquets,” after Debucourt. 
In gilded frames with French mats. 


427—Two Frencu Couorep Prints 


“La Féte du Village” et “Le Tambourin,” after Taunay. 
In gilded frames with French mats. 


428—Two Frencu Cororep Prints 
“TAveu difficile” et “L’Indiscrétion,” after Lavreince. In 


gilded frames with French mats. 


429—FreNcH CoLorEep PRINT 
“La Promenade publique,” after Debucourt. In gilded 
frame with French mat. 


A30—FreNcH CoLoRED PRINT 


“Le Baiser a la dérobé,” after Fragonard. In gilded frame 
with French mat. 


431—Frencu Couorep Print 


“La Galerie du Palais Royal,” after Debucourt. In gilded 
frame with French mat. 


432—FrencH Couorep PRINT 


“Féte Flamande,” after Wille. In gilded frame with French 
mat. 


Second Afternoon 


433—CoLorED FACSIMILE : 
“The Madonna,” after Raphael. In gilded frame. 


434—PRINT IN SEPIA 
“Young Burgomaster,” after Rembrandt. In walnut and 
gold frame. 


435—PrintT IN SEPIA 
“Springtime,” after Botticelli. In walnut and gold frame. 


436—MerzzoTint. ENGLISH, OF THE KIGHTEENTH CENTURFY 


“Master Herbert-as Bacchus.” Painted by Sir Joshua 
Reynolds. Engraved by J. R. Smith. Published 1776. In 
black and gold frame. 


437—MezzoTint. EnciuisH, oF THE EIGHTEENTH CENTURY 


“Mrs. Townley and Child.” Painted by Sir Joshua Rey- 
nolds. Engraved by J. McArdell. Published 1762. In 
black and gold frame. | 


438—Earty EncuisH STipPLE PRINT 


“A Bacchante.” Painted by Sir Joshua Reynolds. En- 
graved by W. Nutter. Published 1801. In black and 
gold frame. 


4389—MezzoTint. EnciisH, oF THE EIGHTEENTH CENTURY 


“Maria,” from Sterne’s “Sentimental Journey.” Painted 
by R. Hurleston. -Engraved by Wm. Pether. Published 
1777. In black and gold frame. 


440—Conorep Print. FrENcH, oF THE EIGHTEENTH CENTURY _ 
*Sollicitation amoureuse de Golo.” Drawn by Theodore 


Trokes. Engraved by J. M. Mixelle. 


- 
3 


Second Afternoon 


WATERCOLORS AND OIL PAINTINGS 


WILLEM CORNELIS RIP 


Dutcu: 1856— 
441 —W ATERCOLOR 
“The Outskirts of Amsterdam.” ‘Two windmills amidst 
willows ; red-roofed houses and a church spire stretch across 
the scene before a rough roadway with a wagon; a peasant 
mounted on a cart-horse and a pool at right. Signed at 


lower left. 
Height, 81%, inches; length, 11%, inches. 


CHARLES JOSHUA CHAPLIN 
Frencu: 1825—1891 


442—Or1L Pantine 


“Motherhood.” A young woman, in an ample low-cut pink 
silk dress, is seated near a table and looking downward 
toward the front. Signed at the lower left. 


Height, 101% inches; width, 814, inches. 


ROULLIN 


FRENCH 


443—Oi1n Paintinc oN PANEL 
“Moulins de la Galette.” 1868. Shaped carved and gilded 
frame, enriched with scrolls and shell motives. 


Height, 81% inches; length, 181% inches. 
WILLEM STEELINK 
DutcH: 1856— 


444—W ATERCOLOR 
“Sheep in a Barnyard.” A flock of sheep gathered before 


f two old thatched high-roofed sheds; a peasant leaning 
VJ over, opening the nearer of the double doors; a sheepdog 


sits near watching the flock. Fine broad handling. Signed 


at lower right. 
Height, 9 inches; length, 14 inches. 


Second Afternoon 


JEAN BAPTISTE VAN MOER 
Bexucian: 1819—1884 
445—Or1L PantTine a 
“Venice.” The grand canal with shipping and a distant 
view of Santa Croce; at right, further shipping before the 
famous Palace of the Doges and other buildings reaching 
to the dim distance. Signed at the lower right: B. Van 
Moer. Panel: Height, 9 inches; length, 14 inches. 


CHARLES LANDON 
FRENCH: (circa 1815) 
446—Oi1L ParnTING 
“Venus and Apollo.” Standing in close proximity, each 
with an arm clasping the other. Apollo, wearing a long 
red mantle over his back caught at the throat, crowns 
Venus with a laurel wreath. They stand on a narrow ter- 
race overlooking blue mountains. On arched panel. 
Height, 15 inches; width, 934 inches. 


ATTRIBUTED TO WOUVERMAN 
DutcH: 1619—1668 
447—WasH Drawine in Buiack anp WHITE 
“The Bivouac.” On blue paper. A trooper leading a pack- 
horse is receiving orders from a commanding officer stand- 
ing at right, his weary aid resting at his feet; peyene. an 


army wagon and several troopers. 
Height, 1014 inches; length, 15 inches. 


CHARLES P. GRUPPE 


AMERICAN: 1860— 

448—W ATERCOLOR | 
“Cattle near a Stream.” Low flat rich pasturage, with a 
placid stream winding from behind a copse to the left fore- 
ground; two cows at the edge of the copse, one standing 
on a small footbridge gazing at its own reflection in the © 
stream; in the hazy distance a windmill, habitations and a 
low blue ridge are seen. Signed at lower right. : 

Height, 121, inches; length, 1614, inches. : “a 


er 


Second Afternoon 


J. CANAVERAL 
SpaNnisH: 1889— 


449—Watrrercotor Fan For 


“Dancing at the Villa.” On a balcony at left two lovers 
lean on a parapet; beyond, a gay. party dances before a 
white-walled, red-roofed villa; at right, a landscape with 
a stream and castle. Signed toward left. 


Height, 12 inches; length, 24 inches. 


P. SEZILLE DES ESSARTS 


FRENCH: CONTEMPORARY 


450—Or. PaiIntTING 


“Asleep.” A nude young woman, her hand on a fan, has 

- fallen asleep on a skin rug which stretches across the can- 

vas; light blue background above. Signed at the lower 
right. 

Height, 261, inches; length, 1814 inches. 


M. GIDDING 


EncuisH: CONTEMPORARY 


450s—W ATERCOLOR 


‘Windmills in Holland.” <A broad stream bends from the 
left distance and occupies the foreground; on either of its 
sedgy bank is a windmill. Signed at the lower right. 


Height, 151% inches; length, 21 inches. 


PAUL HELLEU 


FRENCH: CONTEMPORARY 


451—Two Drawines 1x RED anp Brack CHaRrcoaL 
“A Family Group.” Bust lengths of two sisters at left and 
right and small brother in center; heads somewhat turned 
looking to the front. Signed at lower right. 
Height, 17 inches; length, 2381/, inches. 


Second Afternoon | 


PAUL HELLEU> 


FRENCH: CONTEMPORARY 


452—PortraiT oF A Lapy | 
Three-quarter length seated, dressed with hat ready for a 
promenade. Signed at lower right. 
Height, 25 inches; width, 19 inches. 


AFTER NATTOIRE 


Frencu: EIGHTEENTH CENTURY 


4538—OIL PaInTING 7 
“Tiana.” Three-quarter length, facing slightly to left. 
Wearing a green robe encircled at waist with a leopard skin, 
a quiver of arrows slung over her back, an unstrung bow 
in her right hand and a red ribbon in her hair; a nymph, 
partially seen at left, points to some distant object. 


Height, 30 inches; width, 24 inches. = 


AFTER BOUCHER 
Frencu: E1gHTeEENtH CENTURY 


454—OvaL Pastex | 

“Venus, Nymph and Cupids.” Venus, standing amidst 
clouds at left with a light blue drapery round her, gazing 
at two billing doves, which a small Cupid at right has har- 

~nessed with a ribbon; between them, a nymph with a lav- 
ender drapery attends the goddess. A Cupid on the left 
peers over a large red drapery which almost envelops him; 
background of blue sky. Signed at lower right F. L. 


Height, 35 inches; width, 28 inches. 


THIRD AND LAST AFTERNOON’S SALE 


FRIDAY, FEBRUARY 28, 1919 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 2.30 O'CLOCK 


TEXTILES 


Frorat BrocapE STOLE OF THE Lovis XVI PeERIop 


455 


Woven with scrolled bouquets of flowers in natural colors 
on a damasked tobacco-colored ground. Trimmed with 
gold galloon. 


456—Turet Rose-pink VeLours CusHions 
Two enriched with panels of brocade, defined with patterned 
gold galloon; one with galloon only. Two oblong and one 
square. 


457—Two BrocapE CusHions 
One displays ogivals with floral motives; other facing birds 
amidst floral scrolls; soft coloring on ‘cream ‘grounds. 
Backs of green silk. 


458—NEEDLEWORK CUSHION 
Scroll and valance motive in pink, crimson and blue on 
ivory center; blue border finished with crimson band; back, 


pink silk. (Imperfect.) 


Third and Last Afternoon 


459—JARDINIERE VELVET CUSHION 
Front woven with a large leaf-scroll medallion enclosing a 
charming floral bouquet in pinks and green cut and uncut 
velvet on an ivory silk ground. 


459s—Front oF a Drap vd’Or Brocapr CHAsUBLE IN THE 
SPANISH RENAISSANCE STYLE 
Cruciform orphrey, displaying a rayed sacred monogram in 
gold and silver threads within a silver ogival and a wreath 
of large flowers which continue and fill the lower panel of 
the cross. Field of floral scroll pattern in yellow cloth-of- 
gold. Trimmed with gold galloon. 


4598—YELLOw BrocapE CHASUBLE. SPANISH, OF LatTE SEVEN- 
TEENTH CENTURY 
Cruciform orphrey of yellow silk brocade, woven with deli- 
cate flower and fruit sprays springing from unusual scroll 
motives crested with castellated towers in silver threads on 
a damasked ground. The field of ivory challis. Trimmed 
and paneled with gold galloon. 


460—SvuPEers GOLD-EMBROIDERED IMPERIAL ROBE OF THE CH’IEN- 
LUNG PERIOD 

Composed of four wide oblong embrocaded panels and one 
plain inner panel of beautiful pale peach-colored silk vary- 
ing to apricot. Enriched in each panel with raised gold 
five-clawed “Dragons Seeking the Sacred Pearl of Power,” 
amidst cloud scrolls and symbolic devices. The back and 
front panels with deep borders of wave forms. Lined with 
blue silk. Said to have been worn by the Emperor Ch’ien- 
lung. 


461—Drar pd’Or BrocapE CHasuBLE. SPANISH, OF THE E1GH- 
TEENTH CENTURY 
Orphreys woven with roses, bunches of grapes and silver 
sunburst amidst scrolls of damasked yellow and gold 
threads, flanking panels of sinuous scrolls with roses, wheat 
and lilacs in brilliant colors on yellow drap d’or ground. 
Trimmed with gold galloon. 


Third and Last Afternoon 


462—DucuessE Point. Cream Lace BertHa oF THE Earty 
NINETEENTH CENTURY 
Shaped with deep back lobe and curved lappets. Paneled 
with open scrolls sustaining medallions at intervals and a 
varied floral border. A central bouquet of flowers develops 
sprays of flowers which ramify the field. 
Length, 1 yard 31 inches; depth, 19 inches. 


463—DvucueEss—E Pont. Cream Lace Scarr or THE Earty 
NINETEENTH CENTURY 


Similar to preceding, with scrolled medallion ends. 


Length, 2% yards; width, 21 inches. 


464—Cream Lacrt SHAawt. Brussets, oF THE Earty NINE- 
TEENTH CENTURY 
Triangular, with broad scalloped edges formed of two band- 
ings enclosing a series of leaf stems and trailing vines of 
flowers. .Field of charming scrolled sprays and festoons 
of flowers; very fine silk net ground. 
Length, 224 yards; depth, 1% yards. 


465—EMERALD GREEN AND Drap pd’Or Corr. FRENCH, OF THE 
RENAISSANCE PERIOD 
Orphreys and hood richly woven with beautiful acanthus- 
leaf scrolls and sunbursts in silver and gold threads on 
amethyst silk ground; emerald green field enriched with 
bouquets of flowers within graceful floral ogivals. Trimmed 
with patterned gold galloon. 


466—Larcer Drar p’Or Brocapve Core. FRENCH, OF THE EIGH- 
TEENTH CENTURY 

Orphreys and hood of bold floral motives in brilliant colors 

and silver threads on yellow ground of a later period. In- 

teresting floral silver Morse clasp. Field of delicate Louis 

XVI striped ivory silk woven with minute bouquets and 

festoons in colors. Trimmed with yellow silk galloon and 
fringe. 

Length, 9 feet; width, 4 feet. 


Third and Last Afternoon 


467—Turitt Pairs or Oxtp-ros—E VeLtours Curtains AND Two 
VALANCES 
Trimmed with patterned gold galloon on two sides. Pleated 
valances with galloon trimming; two different sizes. Lined. 
(One curtain pieced.) 
Curtains: Length, 3 1/38 yards; width, 1 2/3 yards. 
Valances: Length, 18 inches; widths, 1 yard 6 inches and 2 yards 
33 inches. 


468—Fovur Pairs oF Portizres 


Green brocaded velvet, with large leaf pattern in yellow, 
pink, gold and silver threads. Finished with cord. Lined 


and interlined. 
Length, 8 feet 9 inches; width, 3 feet. 


469—Two EmBrompERED GREEN WATERED SILK CURTAINS 


Enriched on front and foot with appliqués of open scrolls 
and flower sprays in ivory silk. Trimmed with silk fringe. 


Length, 3 yards 16 inches; width, 1 1/3 yards. 


470—Two Outp Rep VeELours Currains aND VALANCE 
Trimmed with patterned gold galloon. 


Curtains: Length, 2 yards; width, 1 1/3 yards. 
Valance: Length, 20 inches; width, 2 yards 10 inches. 


-471—Turee Pairs Rose-pink Brocape Currarys anp THREE 
VALANCES 

Woven in delicate green and yellow with recurring inter- 

lacing floral oval medallions enclosing bouquets of flowers. 


Curtains: Length, 2 yards 23 inches; width, 1 yard 10 inches. 
Valances: Length, 19 inches; width, 1 yard. 


472—Two WatErRED Buve Sitk Curtains 
Enriched with embroidered bands at sides and foot, laurel 
wreaths in ivory silk appliqué. 


Length, 2 1/8 yards; width, 1 1/8 yards. 


Third and Last Afternoon 


473—Two Pairs or Buve Sirk Currains anp Two VALANCES 
Crinkled sky blue silk, enriched with bands of ivory and 
blue brocade. 


Curtains: Length, 2 yards; width, 1 yard 8 inches. 
Valances: Length, 18 inches; width, 1 yard 21 inches. 


4'74—THrere Partrs or Sirk BrocapE CurtTAIns IN THE Lovis 
XVI Style 


Woven with wide watered dull blue stripes alternating with 
cream floral stripes. Lined and interlined. 


Length, 2 yards 22 inches; width, 1 1/8 yards. 


475—FrRaGMENT oF AuvBUsson Tapestry BorpER 


Three wide bandings, at the crown enclosing long cartouche 
with scrolls and fruit, in center a varied cartouche and 
pateras, at foot a masked cartouche, festoons and ribbon; 
soft crimson, blue, ivory and yellow on grounds of brown 


and dull red. 
Height, 4 feet 8 inches; length, 6 feet 1 inch. 


476—INTERESTING Tapestry Panet. FLEMISH, OF THE RENAIS- 
SANCE PERIOD 

The foreground occupied by a group of varied birds, a large 
tree with two gay plumaged ducks flying in it, and canopy- 
ing the entire scene, and a small stream with a low farther 
band scattered with figures. A Cavalier and his Lady with 
page holding her train; at right a woman carrying water 
from a reservoir nearby; at left two men, one smoking a 
long pipe, before a small fire and a wooden hut, and an 
armed sentry doing duty before the fortified towered walls 
of a city, which fills the middle distance; beyond is a range 
of blue mountains. The mellow ivories, tans and greens 
are pleasantly relieved by the reds and blues of the cos- 
tumes. (Needs restoration. ) 


Height, 7 feet 8 inches; width, 4 feet 5 inches. 


Third and Last Afternoon 


ANTIQUE RUGS 


477—Dacuestan Rue “- 
Field occupied by three and a half geometric lozenges in 
ivory, tan, pale green and crimson on black ground; three 
geometric borders on ivory, plum-colored and black 
grounds. | 


4 feet 10 inches by 8 feet 5 inches. 


478—Boxuara Rue 
Similar in pattern to the preceding, but with the extra — 
bands at ends of diamond motives. (Needs restoration.) 


3 feet 11 inches by 3 feet 3 inches. 


479—DacuHEsTan Rue 

Field of three curiously stepped geometric medallions, cen- 
ter of one of green and red, the flanking of blue and ivory, ~ 
with the interstices of field filled with conventionalized blos- 
soms on black ground. Four borders of floral medallions 
on ivory. Hatchings of red, blue and ivory, and major bor- 
der a series of alternating green, yellow, blue and crimson 
saltired crosses on ivory ground. 


4 feet 2 inches by 8 feet. 


480—Royat Boxuara Rue 
Close heavy pile. Field displays an oblong lattice enclosing 
stepped diamond motives. Interesting border of square 
geometric motives and florettes, with narrow guards and 
two end borders of recurring stems of flowers. Woven with 
rose crimson, brilliant red, ight and dark blue and ivory. 


4 feet 2 inches by 3 feet 1 inch. 


481—Boxuara Rue 


Woven in center with floral shaped oval medallions quar- 
tered by a black lattice having infloretted crosses as central 
motives; irregular conventionalized blossom border, with 
extra chevroned bands at two ends. Coloring of rose pink, 
orange and ivory on a dull old red field. 


4 feet 2 inches by 3 feet 1 inch. 


Third and Last Afternoon 


482—ANaATOLIAN Ketim Prayer Rue 


Rich red field, with a curious superimposed hatched and 
latch-hook prayer arch in green and ivory; geometrical 
borders; finished with a lozenge band on blue ground. 
(Needs restoring.) 

5 feet 3 inches by 3 feet 7 inches. 


483—Siraxk Rue 


Geometric and toothed edge lozenge medallion in soft colors 
on ivory, with two smaller blue floral diamond pendants 
on a rich rose-crimson ground; floral arabesque corners in 
rose, blue and ivory on black grounds. Small crimson floral 
border with narrow ivory guards. 


5 feet 4 inches by 3 feet 6 inches. 


484—SnHirvan Rue 


Rich rose-red field, woven with three geometric lozenges 
within stellate devices in blue, black and ivory; zigzag leaf 
border on ivory ground, with two geometric guards in red, 


blue and white. 
5 feet 1 inch by 3 feet 1 inch. 


485—Royaut Boxnara Rue 
Center oblong, transversed with a floral cross holding four 
panels of cuplike motives. Interesting irregularly placed 
borders of chevrons, medallions, blossoms and diapers. 
Woven in ivory, blue, rose-pink, green and yellow on rich 


crimson ground. 
4 feet 11 inches by 8 feet 5 inches. 


486—Kazax Rue 
Field of two irregular panels, the larger occupied by dou- 
ble latch-hooked diamonds in ivory, blue and black on an 
old red ground; the other, conventionalized blossom motives 
on blue ground; recurring blossom and lozenge border on 
ivory ground. (End imperfect.) 


5 feet 1 inch by 3 feet 1 inch. 


Third and Last Afternoon oF 


487—Lapik Rue OF THE * EIGHTEENTH Gnveiees 


Stepped mihrab of rich soft red; spandril of sa sphieat ] 
enriched with leaf motives in red, ivory and blue ble 
Angular meander guards of ivory, with charming borde1 
recurring blue; woven with detached oval blossoms alte 
nating with quaint clustered tulip stems. (End borde 


imperfect.) oe » 
5 feet 1 inch by 3 feet 5 inch 


488—Carapacu Rue or THE EIGHTEENTH Century 


Four stepped and blossomed medallions alternately i in ros 
pink and blues imposed on a field of soft blue, bedecked wi 
blossoms in ivory and pale yellow and rose; five chevron, — 
leaf and zigzag borders, in light dull tones, finish an inter-_ 
esting rug. (Needs restoration.) eats 


Ss 


6 feet 1 inch by 8 feet 10 Aa 


489—CarABAGH Rue oF THE EIGHTEENTH CENTURY as 
Center a shaped stepped pylon enclosing varied blossomed — 
stripes with three pendanted lozenges superimposed. Woven — 
in ivories, yellow, blue, red and tawny black. Stellate blos- 
som and lattice border on ivory ground, with dentate and — 
geometric guards. (Ends imperfect.) : 

6 feet 3 inches by 8 feet 5 inches. 


490—Kazax Rue 
Alternating blue and ivory blossomed lozenges, disposed on = 
a charming rose ground. Floral and blossom border on 
ivory ground with dentate guards of blue. (Needs restora- 


tion. ) 
6 feet 5 inches by 4& feet 1 inch. 


491—Snirvan Rue 


Small blossoms in blue, yellow and ivory are closely disposed 
on a rich crimson field. Ivory border of red, green, yellow 
and blue, finished with guards of leaf zigzags and blossom 
motives in tan and narrow defining stripes of red and white, 


and blue. 
6 feet 7 inches by 8 feet 1 inch. 


Third and Last Afternoon 


492—Kniva Rue 


Two series of three linked floral diamonds in soft blue, plum, 
yellow and green on ivory ground, alternate with similar 
motives on a sapphire-blue field. Ivory geometric border 


with narrow guards. 
6 feet by 3 feet 11 inches. 


4938—Beriuwn Rue 


Lozenge and arabesque center of light and dark blue, green 
and rose on a brilliant crimson ground; curious conven- 
tionalized floral borders in the same colors. (Needs re- 
storing. ) 

6 feet 3 inches by 4 feet 6 inches. 


494—_Domestic Rue or Witton Weave 


Mihrab arch of soft warm gray, finished with three floral 
borders in reds, deep blue and warm gray. 
6 feet 2 inches by 4 feet 3 inches. 


495—Kazax Rue 


Rose crimson field occupied by infloretted palm leaf mo- 
tives irregularly woven in blue, ivory, yellow and green. 
Wide ivory border, with geometric figures in colors of field; 
outer guard of red and blue variously changed and inter- 


rupted. (Needs restoration.) 
7 feet 10 inches by 3 feet 7 inches. 


496—Mosovut Rue 
Most unusual irregular broken lattice of oblong motives in 
pale blue, occupied by quaint birds and small floral sprays 
in ivory and black on a charming soft rose ground. Ivory 
border with floral angular scrolls in soft colors, and leaf- 
patterned guards similar to field. (Repaired.) 
7 feet 7 inches by 4 feet 5 inches. 


497—Kuiva Rue 
Three series of oblong geometric lozenges in almost neutral 
tints, alternating with series of stellate blossoms on a lav- 
ender rose ground. Detached angular S-scroll border. 
7 feet 11 inches by 5 feet 8 inches. 


Third and Last Afternoon 


498—Kazax Rue | ae 
Unusual, broadly drawn pattern; ae field occupied es 
beautiful infloretted conventional diamond medallion flank« 


sprays of leaves in dark and ee blue, ivory and pale 
yellow on a rich red ground. Blossom and medallion borde 
with diaper ee (Needs repairs.) : 


1 feet 2 inches by 4 feet 3 inches. 


499—Kazax Rue | | 
Field occupied by recurring blossomed stripes of red, blue, — 
ivory, green, tawny black and crimson diagonally placed. — 
Blossom and medallion border on ivory ground; black and — 
blue dentate guards. (Needs restoration.) a 
8 feet 1 inch by 4 feet 2 inches. — a : 
500—Capsistan Rue Rome. 
Varied latch-hooked and blossomed diamonds, irregularly 
woven with red, blue, yellow and green grounds on a lovely — 
sapphire-blue field; rich floral borders, with crimson grounds ~ 
and colors of the field, finished with dainty ivory and green 
guards. 3 
8 feet 3 inches by 4 feet. 
501—Royat Boxuara Carrer 
Well-balanced field, occupied by an oblong black lattice 
sustaining at intersections lobed oval floral medallions and 
occupied by floriated crosses; floral medallion border, with 
guards and deep extra blossomed bands at two ends. Woven 
in yellow, ivory, blue and crimson on a dull old-rose varying 
to a reddish cast in the light. 


9 feet 2 inches by 6 feet 6 inches. 

502—Lxrorarp Sxin Rue 
Finely mounted head; tan and blue cloth edging. 

Length, 7 feet. 


508—Larcre Wurirre Porar Bear Sx Rue 
Long heavy fur; finely mounted with head. 


“ 


Length, 6 feet 8 inches. 


Third and Last Afternoon 


504—DacueEstan Rue 


Varicolored small linked latch-hooked diamonds, flanked by 
similar and larger diamonds in yellow, pale blue, red, ivory 
and brown on a fine sapphire-blue ground. Interlacing 
angular leaf and scroll border on ivory ground, with crim- 
son and brown geometric guards. (Needs restoration.) 
8 feet 10 inches by 3 feet 11 inches. 
505—Kouroistan Rue 


Field covered with small stellate lozenges alternating with 
diamonds in red, ivory, plum and light blue on dark blue 
ground; border of alternating ivory and red floral stripes 
diagonally placed; inner guard of angular leaf and scroll 
motives in dull yellows and blue on plum-colored ground; 
similar outer guard on blue ground. (Needs restoration.) 

3 9 feet 9 inches by 3 feet 10 inches. 


506—Mosovurt Rue 
Soft rose crimson field, occupied in center by a long 
arabesque lattice flanked by a series of conventionalized 
trees and archaic birds, in light and dark blue, ivory and 
yellow; deep floral border, in the colors of the field, finished 
with ivory and blue floral meander guards. 
8 feet 2 inches by 33 inches. 


507—Lone Mosovrt Rue 
Field woven with three varied floral lozenges interrupted 
by series of three smaller stellate devices in blues, ivories, 
rose pink and yellow on dull rose ground. Tawny black 
floral border, with dentate ivory guards. (Needs restora- 
tion. ) 10 feet 4 inches by 8 feet 3 inches. 


508—Kerman Carper 


Large central stellate medallion, with pendant enclosing 
blue floral grounds and a large intricate infloretted center 
in pale colors on deep ivory which colors repeat in the 
field of interlacing scrolls; deep crimson scrolled floral 
corners. Ivory border of lotus and tree motives, flanked 
by crimson and cream guards on both sides. 

13 feet 3 inches by 8 feet 1 inch. 


Third and Last Afternoon 


509—Lone Beri Star Rue = 
Field of floral arabesque motives in light and dark blue ie x 


aa 
<o 


green on a soft old-rose ground. Narrow dentate and % 
angular leaf borders. (Needs restoring.) _. 
17 feet 8 inches by 6 feet 8 inches. 


510—SavaLan Carpet ae 
Fereghan pattern. Woven with a distinguished floral dia- 
mond and stem lattice in rich browns, ivories and red ona _— 
fine blue ground. Interlacing lozenge and large floral — 
motive border in red with blossom guards of brown, black — 
and blue. 13 feet 2 inches by 10 feet 3 inches. — 


511—KaramMan Carpet 
Heavy long pile. Light tan field, with floral arabesque in — a 
yellows and brown; wide floral angular scroll border, with == 

two guards in deeper colors than the field with rose added. — 

12 feet 6 inches by 11 feet 2 inches. 


512—Larcrt KermMan CARPET 


The field sustains an interlacing many-stemmed tree of 
life which scrolls and forms a large graceful ogival, with 
crowning terminal, under a floral mihrab arch; the tree — 
bears beautiful sprays of varied flowers in lavender, plum, 
brown, green, crimson and pale blue on a varying deep 
ivory ground. Seven varied borders of naturalistic flowers, 
with plum, deep ivory and pale blue grounds. 4 

16 feet by 10 feet 11 inches. 


5138—LarcEe Berun Carpet 
Series of latch-hooked diamonds alternate with open ir- 
regular floral medallions in green, light and dark blue and 
orange on a brilliant crimson red ground. Five floral 
borders. 18 feet by 18 feet 2 inches. 


514—Larce Inpra Carpet 
Deep ivory field, enriched with a floral arabesque develop- 
ing fine palmate leaves in yellow, pale greens and pink; 
floral border to match, with imner guard of green and 
outer of orange. 18 feet 6 inches by 14 feet 3 inches. 


Third and Last Afternoon 


515—Lone Beri Sram Rue 


Large floral latch-hook lozenges alternate with stellate 
medallions emitting flowers in light green, blue and lav- 


ender on a soft varying rose ground; dentate and angular 
scroll borders. 
21 feet by 6 feet 7 inches. 


516—Lone Beri Starr Rue 


Large stellate lozenges alternate with diamonds in the cen- 
ter, woven in dark and light lilac and orange on a rich 
crimson field; dentate and leaf borders. 


23 feet 3 inches by 6 feet 8 inches. 


517—Lone Beri Srarr Rue in Two Portions 


Large latch-hook stellate diamonds in center, interrupted 
with smaller similar motives on a detached blossom ground 
of old pink with the motives in greens and blues; dentate, 
angular scroll, and leaf and blossom borders. Has been 


cut into two portions. 
43 feet 8 inches by 48 feet. 


FURNITURE 


518—Two Gitpep TEakwoop STANDs 


Open scroll frieze; cabriole legs with claw feet; marble 


insert in top. 
Height, 15 inches. 


519—Fuuti-sizE Guirar In CasE 
Rosewood, with inlaid belly. Head finely fitted with metal 
mechanical keys. Made by Louis Panorma, London, 1834. 
(String button missing.) 


520—Two Smart Irarian CarvepD AND GILDED Mrrrors 


Oval rope frames, surrounded by scrolls; shell terminal and 


molded foot. 
Height, 13%, inches. 


floral sprays. 


522—Smatu Ivory Inutamp Rosewoop Cazinet. Inpo-Portu 
GUESE, OF THE EIGHTEENTH CENTURY 


Goa. Top, sides and back enriched with circular inter- 
lacing floral diapers and floral scroll border; hinged fall 
front, with three growing plants of iris in blossom, bor- — 
dered to match top. Interior fitted with seven irregular 
sized drawers with pierced geometric motives. (One side © 
handle missing.) f 


Re : 


Height, 1114 inches; width, 1934 inches; diameter, 18 inches. 


5238—Ivory Inuarw Rosewoop Box. Inpo-PortrucuEsE, oF THE 
SEVENTEENTH CENTURY | 


Goa. The top profusely enriched with engraved ivory. — 
Center oblong panel with circular floral medallion and cor- 
ners interrupted with rose sprays; deep border of columned 
and arched panels occupied by large interesting lotus mo- 
tives; at corners, crowned double displayed eagles; sides 
similar to borders of top; gilded metal scroll corners. In- 


terior lined. ‘6 
Height, 6 inches; length, 22 inches; width, 151/, inches, 


524—Two Carvep anp GitpED Wai Brackets 
Deeply scrolled open backs, enriched with leaf and shell 


motives; four tiers of shelves for objects. 


Height, 28 inches; width, 23 inches. 


525—Two Carvep anp Giupep Curis In THE Irattan RENals- 
SANCE STYLE 
Lightly draped chubby figure in sitting posture with arms 


extended. | 
Height, 23 inches. 


Third and Last Afternoon 


526—Two Carvep AND GILDED Curpins IN THE ITALIAN RENAIS- 
SANCE STYLE 


Similar to the preceding. (One hand defective. ) 
Height, 21 inches. 


527—Canvep anp Ginpep Mirror or tHe Louis XVI PERIOD 


Reeded oblong frame, interrupted with cross ribbon and 
broken corners at crown; small leaf-spray pediment. Old 
beveled Vauxhall mirror. 

; Height, 27 inches; width, 22 inches. 


528—Smatt Manocany GUuERIDON IN THE Louis XVI StyYLe 


Circular top, fluted legs and stretcher; enriched with gilded 
bronze mountings; molded top, frieze with leaf and scroll 
and drop appliqués, caps, bases and toes on legs and 


lattice basket on stretcher. 
Height, 29 inches; diameter, 14 inches. 


529—Smati Intarp Gueripon 1n THE Louis XVI StryLe 
Round top; shaped frieze with one drawer; inlaid with 
floral diapers on satinwood; castered and cabriole legs, with 
stretcher enriched with gilded bronze mountings. Open 
oval medallioned gallery on top, and stretcher, leaf and 
shell scroll knees and toes. 

Height, 31 inches; diameter, 181, inches. 

5380—Smauu Intaip Satinwoop TaBLE IN THE ADAM STYLE 

Oblong, with tapering legs and stock toes. 


Height, 2 feet 2% inches; width, 1 foot 5 inches. 


5381—DecoraTED Satinwoop Work TABLE IN THE ADAM STYLE 


Elongated hexagonal hinged top; decorated with floating 
ribbons and flowers; fitted interior; tapering legs. 


Height, 29 inches; width, 18 inches. 


582—OvaL MAHOGANY JARDINIERE IN THE SHERATON STYLE 


Brass-banded body, with lion and ring handles, on taper- 
ing castered legs. Loose metal lining. 


Height, 261/, inches; length, 24 inches. 


Third and Last Afternoon 


xe 


533—Carvep Manocany UMBRELLA STAND IN THE QUEEN Axe 
STYLE - 

Oblong, shaped frieze with center division; Snriuiet with : 

rope molding and shell motive. Cabriole legs, ‘Upp ek 

open stretcher. (Metal trays missing.) es: 


Height, 271, inches; length, 24 inches 


5384—SmaLtL Waunot Finine Taste : 
Molded top; tapering legs supporting stretcher. Five 
drawers, with fall fronts; brass handles. 


Height, 31 inches; width, 20 inches. 


535—Larcr Manocany WIE CisTERN OF THE GEORGIAN PERIOD — 


Paneled tapering body, with canted corners and hinged — 
cover, deeply molded and enriched with gadroon motives. 
Front panel with mask and festoons of drapery; corners 
with masks and husks. Carved claw feet. 


Height, 22 inches; length, 37 inches. 


536—Smatu Inuaip Satinwoop Carp TaBLz In THE ADAM STYLE 
Oblong, with tapering legs; hinged revolving top. Lined 
with green cloth. | . 
Height, 2 feet 434 inches; width, 2 feet. 


5387—GiILpED Ovat Mirror In THE Lovis XVI Gaeta ; 


Reeded frame; enriched with leaf and pearl borders, in com- 


position. Beveled mirror. 
Height, 3314, inches; width, 24 inches. 


588—SmauL Intain Waunut Sipe Taste In THE Lovis XV 
STYLE 


Shaped front, composed of two drawers; on cabriole legs ; 
enriched with gilded bronze mountings, scroll handles, 


escutcheon, knees and toes. 
Height, 31 inches; width, 24 inches. 


Third and Last Afternoon 


5389—Carvep RosEewoop Consote TasLe IN THE Empire STYLE 
Molded frieze, with leaf scroll front supports; deep shaped 
stretcher; white and gray marble top. (Defective.) 


Height, 83 inches; width, 361, inches; depth, 14 inches. 


540—Two Intaip Satinwoop Sipe Cuarirs In THE ADAM STYLE 
Arched lattice slat, with broad top rail inlaid with fes- 
toons and patera; tapering turned legs. Seats upholstered 
in striped old-rose velours. 


541—Turee Invari Manocany Sipe CHuarirs 


Shaped scrolled backs, with reeded slat; tapering legs; 
seats upholstered. The loose chintz covers do not match. 


542—Inrtaip Manocany ARMcHAIR IN THE SHERATON STYLE 
Back rounding into the shaped arms; tapering legs; inlaid 
with paneled lines. Seat and back caned; loose green velvet 
seat cushion. (Caning defective.) 


543—Larece Intaip Manocany ARMCHAIR IN THE SHERATON 
STYLE | 
Square back, shaped arms, open column support and taper- 
‘ing legs; mlaid with satinwood panels. Seat, sides and 
back caned. Loose seat and back cushions upholstered in 
green haircloth. 


544—Larer Manocany ARMCHAIR IN THE SHERATON STYLE 


Similar to the preceding, but without inlay and _ loose 
cushions and armpads in striped tan haircloth. 


545—Manocany ARMCHAIR OF THE Empire PERIOD 
Square back, dolphin scroll arms, tapering shaped legs. 
Mounted with appliqués of gilded bronze. Seat and back 
upholstered in green and cream medallion damask. 


546—Manocany Easy-cuair oF THE Empire PEriop 
Similar to the preceding, with loose extra cushion. 


Third and Last Afternoon 


< 
ee 
‘ 


547—Manocany Pepestat Cupsoarp oF THE Empire Prriop — 
Composed of one drawer and one enclosing door; tapering | . 
pilasters. Mounted with gilded bronze wreaths; female 
busts and feet on pilasters; scrolled lions on drawer. Black _ 

and gray marble top. 4 
Height, 2 feet 11 inches; width, 1 foot 9 inches. 


548—Manocany Torret Mrrror oF THE Empire PEriIop 


Oblong swinging mirror supported on two columns; plinth ~ 
occupied by four drawers; columns finely mounted with vase 
and pedestal tops and base rings in gilded bronze. (Two | 
small handles missing.) | 


Height, 2 feet 114% inches; width, 2 feet TY inches. 


549—Manocany Writine TABLE oF THE EMPIRE PERIOD 


Two drawers in frieze; tapering castered legs. Mounted 
with gilded bronze appliqués; scrolled swan on drawers; 
lyres and scroll drops on legs; dark green leather top. 


Height, 2 feet 5 inches; length, 3 feet 214 inches. 


550—Manocany Fire ScreEN OF THE Empire PERIOD 


Oblong frame, supported by two columns and arched cas- 
tered feet; sliding pedimented panel, enriched with petit- 
point of landscape and figures appliqué to old green velvet. 
Mounted with gilded bronze caps and bases. 


Height, 3 feet 7 inches; width, 2 feet 314 inches, 


551—Manocany Bureau oF THE Empire PERIop 


Rectangular, with three long drawers, having gilded bronze 
lion-head handles, tapering pilasters mounted with sphinx 
heads and long leaf drops; supported on castered claw feet; 
molded black and gray marble top. 


Height, 3 feet 1 inch; length, 4 feet 2 inches; depth, 2 feet. 


552—Ovau Satinwoop SHow TasLeE in THE ApaM STYLE 
Glazed hinged top, deep frieze, tapering legs. Lined with 
green velours. (Top rail split.) 
; Height, 2 feet 41, inches; width, } foot 11 inches. 


Third and Last Afternoon 


558—Ovat Inuaip CentER Taste In THE Louis XVI Sryte 


Top with “Ruins in Landscape” marquetry of colored woods 
on satinwood; diapered frieze, cabriole legs with stretcher. 
Gilded bronze mountings, open gallery, scrolled knees and 
feet. Fitted with one end drawer and small writing slide. 


Height, 2 feet 5 inches; width, 2 feet 2 inches. 


Original in the “Jones Collection, South Kensington Museum.” 


554—_SEMIcCIRCULAR INLAID Tunie aND Kinewoop TaBLeE IN THE 


Lovis XVI Sry1Le 


Frieze with center drawer and unusual side compartments, 
supported on round tapering legs with stretcher. Enriched 
with gilded bronze mountings, open galleries on top and 
stretcher, moldings, escutcheon and wreath handles on 
drawers. Half statuary marble top. 


Height, 2 feet 914 inches; width, 3 feet. 


555—Intarp Tampour Front SEcCRETAIRE IN THE Louis XVI 
STYLE 


Molded top, mechanical cylinder fall and writing slide; 
frieze with three drawers; on tapering legs. Inlaid with 
diapers of boxwood and gray figured maple and oval floral 
medallion in tambour front. Richly mounted in gilded 
bronze, with open gallery, leaf and flower moldings, knees 
and toes, medallion and center drawer with panels: “Cupids 
Playing.” Interior fitted. 


Height, 3 feet 71% inches; length, 3 feet 10 inches; depth, 2 feet. 


556—Petir-point FirE ScrEEN. ENGLISH, OF THE EIGHTEENTH 
CENTURY 
Molded scrolled mahogany frame on shaped feet. Sliding 
panel, exhibiting a scrolled medallion enclosing in smaller 
point a lady with parrot seated between two trees and 
ground of flowers. Frame of later period. 


Height, 3 feet 5 inches; width, 2 feet 4 inches. 


Third ond. Laat adfiernoen 


557—Carvep AND GiLpED Fire Screen 1n THE Louis XVI StyrE 


Open fluted columnar supports on leaf-scrolled feet ; arched 
top, with laurel wreath and garland. Panel embroidered 
with oval medallions, enclosing cartouche occupied by bou- 
quet of field flowers on cream ground. 


Height, 8 feet 9 inches; width, 2 feet 3 inches. 


558—Inuarip Tuxie-woop SipE TABLE oF THE Louis XVI PeERIop 


Tulip wood with kingwood bands; composed of three draw- 
ers and tapering legs. Gilded bronze wreath handles. 
Shaped and molded brocatelle marble top. 


Height, 2 feet 8 inches; width, 2 feet 11% inches. 


559—Intaip Manocany Writine TABLE 


Reeded top; frieze with two drawers; carved and panel 
tapering legs and molded stretcher. Top fitted and lined 
with green leather. 


Height, 2 feet 61% inches; length, 3 feet 6 inches; depth, 1 foot 9 inches. 


560—GiLpED Manocany Mirror In THE COLONIAL STYLE 


Oblong mahogany frame broken with square corners; en- 


riched with gilded molding and drapery in composition. 


( Defective. ) 
Height, 3 feet 3 inches; width, 2 feet 1 inch. 


561—Carvep anp GILDED Mrrror In THE Louis XV STYLE 


Shaped frame, enriched with open rococo and leaf scrolls. 
Pediment of reversed open scrolls garlanded with flowers; 


a bouquet of flowers at foot. 
Height, 45 inches; width, 31 inches. 


562—EmBroIpERED GREEN VELOURS SETTEE 


High back with round wings; seat and arms upholstered in 
jaspé olive green velours paneled with galloon and trimmed 
with fringe. Enriched on the back with panel of Italian 
seventeenth century embroidery. Volute leaf scrolls en- 
closing birds and flowers, in solid stitches in colors on blue 
ground, with green leaf borders. 


Height, 3 feet 21%, inches; width, 4 feet 6 inches. 


Third and Last Afternoon 


563—Dvurcu Marevetry CHair oF THE LATE SEVENTEENTH 
CENTURY 
Open scrolled, shaped back with broad slat, shaped seat 
and cabriole legs; inlaid in light-colored woods on chest- 
nut, with scrolls, birds and flowers. Seat upholstered but 
not covered. 


564—Two Carvep Manocany Sipe CHAIRS IN THE SHERATON 
STYLE 
Arched back, with turned and carved rails and central 
“Prince of Wales” device of three feathers; paneled taper- 
ing legs; seats upholstered in striped tan haircloth. 


565—Carvep Wautnut PANEL IN THE FRENCH RENAISSANCE 
STYLE 


‘Susannah and the Elders.” Susannah, sitting on the edge 
of her bath, before a chateau and playing fountain, is 
surprised by the two elders advancing from woodland at left. 


Height, 1 foot 8 inches; length, 3 feet 1% inch. 


566—Darx Oax X-ARMCHAIR 


Dante style. Carved curved arms with a leafy scroll and 
center rosette. Upholstered in embossed red velvet. 


567—Buack Oax Rockinc-cHarr 
With all-over carving of leaf scrolls. 


568—Buack Oak ARMCHAIR 
The curved back and splat with carved ornamentation of 


leaf scrolls and dolphins. Cabriole legs carved at the knees. 
Paw feet. 


569—Hicu-sack Carvep Watnut Cuair IN THE RENAISSANCE 
STYLE 

Deeply scrolled arms, legs and stretcher; enriched with 

leafage; seat and back upholstered in fine floral tapestry. 


Third and Last Afternoon 


570—Carvep Oax Easy-cnair IN THE RenalssaNcE STYLE 
Open scroll and cartouche top and arm rails; leaf-carved 
supports and legs; seat and back upholstered in small ; 
floral patterned cut and uncut gray velvet. 


571—Cakvep Wapnor ehicn-nace CHAIR IN THE JACOBEAN 
STYLE 


Turned back supports, spholaina 6 open scrolled vase pedi- 
ment; three splats, enriched with arabesques; leaf-carved es 
legs, with stretchers and frontal stretcher similar to pedi- — 
ment. Seat upholstered in old red leather. (One terminal — 
missing. ) | i 


572—Carvep Watnut Hicu-pack CHaiR IN THE JACOBEAN 
STYLE .: 


Similar to the Preee ae Seat ahaleeereon in floral ‘op 
estry. 


573—Carvep Oax SETTEE IN THE JACOBEAN STYLE 


Composed of an ancient chest. Back of four panels, en- 
riched above with floral scrolled dragons and under with 
conventionalized floral circular medallions; shaped pedi- 
ment. Wood seat, scroll arms with twisted supports, the 
under framing and all rails carved with arched leaf revers- 
ing scroll motives. 

Height, 8 feet 10% inches; length, 8 feet 9 inches. 


5'74—Carvep AnD GitpED ManTEt Mirror In THE CHIPPENDALE 
STYLE 
Three divisions, with slender column supports in the center; 
deep leaf scrolled pediment; sides with dripping water and 
floral sprays. Foot of rococo and scroll motives. 
. Height, 36 inches; width, 4 feet 10 inches. 


575—Manocany BurEAv oF THE Empire PERIOD 


Rectangular, with four long drawers; column supports; on 
castered plinth; mounted with gilded bronze appliqués; 
scrolled vase escutcheon, mask knobs, caps, bases and 
scrolled female figures on columns. Gray and black marble 
top. 

Height, 2 feet 9 inches; length, 4 feet 4 inches; depth, 2 feet 1 inch. 


Third and Last Afternoon 


576—Manocany Ostone CENTER TABLE IN THE EMPIRE STYLE 


“Malmaison model”; shallow frieze with end supports, 
cross feet and stretcher. Richly mounted with gilded 
bronze, frieze with laurel stems and pateras, supports with 
scrolls and honeysuckle motives at each end with two finely 
modeled caryatids; center stretcher with large vase and 
reversing sphinx, vine border and honeysuckle motives. 
Sunken paneled Alps-green marble top. 


Height, 2 feet 9 inches; width, 4 feet 2 inches; depth, 2 feet 
4 inches. 


577—DeEcoraTED SATINWOOD CABINET IN THE ADAM STYLE 


Two sections; top domed with scrolled sides and shaped 
front; glazed center enclosing door and paneled side doors. 
Lower portion, shaped front with two drawers and two en- 
closmg doors. Painted with oval medallions enclosing bas- 
kets of flowers, festoons and floral sprays in soft natural 


colors. 
Height, 4 feet 7 inches; width, 2 feet 2%, inches. 


578—DecoratTep SATINWOooD CABINET IN THE ADAM STYLE 
Similar to the preceding. 


579—Intain RosEwoop ConsoLte TABLE 


Molded frieze, inlaid with brass floral motives. Columnar 
supports, on molded plinth. Galleried top, supported on 
small columns with mirror back. (Imperfect and mirror 
cracked.) White and gray marble top. 


Height, 4 feet 3 inches; width, 3 feet 8 inches. 


580—Manocany Extension Breaxrast TaBLE OF THE SHERA- 
TON PERIOD 
Two side tables, with round cornered tops and frieze; 
reeded legs, finished with brass ball and cup feet; extra 
extending leg; forming one square table or an oblong with 
the two extra leaves. 


Height, 29 inches; top 4 feet square. 


Third and Last Afternoon 


581—Inxuaip Manocany Dressine TABLE 


Molded top supporting two shaped pedestal drawers; ; = i, 
shaped brackets supporting swinging oblong mirror with = 


shaped corners; three drawers. On tapering legs. 
Height, 5 feet 5 inches; length, 3 feet 81, inches. 


582—Inuaip Manocany Urpricut SrecreTary. DvutTcu, oF THE 
Late CotoniaL PERIopD 


Rectangular; composed of upper drawer with large writ-_ 
ing fall under and closet enclosed by two doors; inlaid in — 


boxwood with baskets of flowers and wreaths. Interior 
fitted and fall lined with green baize. 


Height, 5 feet 83 inches; width, 3 feet 5 inches; depth, 1 foot 7% 
inches. 


5838—Intai Manocany Dressinc Tasie 


Molded top, with two pedestal drawers and shaped shelf; 
shaped brackets, supporting oval swinging mirror; five 
drawers and tapering castered legs. 


Height, 5 feet 2 inches; length, 4 feet 6 inches. 


584—Carvep Oak Curspoarp. FLEMISH, OF THE SEVENTEENTH 


CENTURY 
Rectangular. Enclosed with two scroll paneled doors; 
under one, long three-paneled drawer; shaped apron with 
cabriole legs; molded top. Interior fitted with one long 
shelf. — 


Height, 4 feet 9 inches; length, 4 feet 4 inches; depth, 1 foot 7 
inches. 


585—CarvED AND GILDED Mirror IN THE REGENCE STYLE 


Rectangular molded frame, with arched top enriched; com- 
posed of an open scroll shell and floral motives; deeply 
scrolled pediment enhanced with a female mask. 


Height, 5 feet 2 inches; width, 3 feet 1 inch. 


Third and Last Afternoon 


586—Carvep AND GILDED Mantret Mirror FRAME IN THE LovIs 
XV StryLe 


Oblong molded frame, with open surrounding leaf scrolls, 
enriched with shell motives. Reversed scrolled pediment, 
with open mirrored panels. (Mirror and center terminal 
missing. ) 

Height, 3 feet 11 inches; width, 5 feet 8 inches. 


587—GitpEp Piano Lamp anv SILk SHapE 
Fluted shaft, on leaf-scrolled tripod base; wired for three 
electric lights; pleated pink silk shade trimmed with gold 


gauze, fringe and flowers. 
Total height, 5 feet 4 inches. 


588—Carvep and GiLpED THREEFOLD SCREEN IN THE Lovis 
XVI Sry Le 

Guilloche molded frame, divided into upper and lower 
panels, with fluted base. Top panels of Aubusson tapestry: 
“A Vase of Flowers within rose scrolled medallions.” Under 
are garland trophies of musical instruments, darts and 
laurel wreaths carved and gilded on a background of light 
tan. (Carving defective. ) 


Each panel: Height, 5 feet 7 inches; width, 1 foot 6 inches. 


589—Larece In,taip Kinewoop VITRINE IN THE Louis XVI STYLE 


In three sections, glazed on ends; front and central door, 
with the lower panels inlaid with arched diapers and floral 
festoons of tulip and other woods. Shaped apron with 
slightly scrolled feet, deeply hollowed frieze mounted in 
gilded bronze, with leaf corners and leaf scrolled moldings 
and central vase of flowers. Mask and scroll trusses under 
frieze; leaf and claw feet; mask and molded apron. In- 
terior lined, and has two long movable glass shelves. 


Height, 5 feet 11 inches; length, 5 feet 8 inches. 


Third and Last Afternoon 


590—Lone Manocany BooxcasE IN THE Louis XVI STYLE 


Three sections, parted with brass fluted columns, center — 
section projects. Molded and brass galleried top; frieze  ~. 
paneled with pearl moldings. On turned stump feet. . 
Molded glazed doors mounted to match frieze. Interior 
lined with green velours. 


Height, 8 feet 9 inches; length, 6 feet 5 inches, = 


591—Carvep AND GriLDED AuBusson SALON SUITE 


Consisting of four armchairs and one settee. Armchairs 
with molded square backs, enriched with guilloche motives 
and open leaf and wreathed lyre splat, curved arms, fluted 
supports and legs, shaped seats upholstered in Aubusson 
tapestry: “Bouquets of Flowers supported within leaf and 
floral scrolls,” on warm ivory ground. 


Settee: Length, 4 feet 4 inches. 


592—-Two Carvep AND GILDED AvsBusson ARMCHAIRS IN THE 
RENAISSANCE STYLE 


Deeply scrolled and molded arms, supports, legs and 
stretchers. Enriched with leafage, husks and pateras; seats 
and backs upholstered in Aubusson tapestry; the backs, 
garlanded vases of flowers and fruit on cream ground; seats, 
growing clusters of large flowers. 


593—Set or Dintnc-room CHAIRS 


Consisting of eight side and two arm chairs. Shaped splat 
and top rail, tapering legs terminating in claw feet, loose 
seats upholstered in dark green leatherette. 


594—Carvep Manocany Extension Dinine Tasie 


Deep molded top, with round corners on cabriole legs, with 
leaf knees and claw and ball feet. Has plate glass top 
with polished edges. Two extra leaves. 


Height, 29 inches; top, 3 feet 11 inches by 4 feet 8 inches. 


Thrd and Last Afternoon 


595—Ser or Carvep Manocany Dinine Cuairs In THE CuHIP- 
PENDALE STYLE | 
Consisting of six side and two arm chairs. Open scrolled 
lattice back, enriched with scrolls, shell, leaf and husk mo- 
tives. Cabriole legs, with leaf knees and claw and ball feet. 
Seats upholstered in stamped green leather; close brass- 
nailed. 


596—Carvep Manocany CoxroniaL SIDEBOARD 
Shaped front of long drawer, with inset writing drawer 
under; pedestal ends, composed of short drawers with closet 
under; reeded pilaster and legs. Back with two curious 
open compartments under shelf. 
Height, 3 feet 9 inches; length, 7 feet 54, inches; depth, 2 feet 
4 inches. 


597—Ozstone Manocany Drop Lear TasLe ofr THE SHERATON 
PERIOD 

Molded top, with round corners. Two drawers in frieze; 

end supports of double bamboo turned balusters and 

stretcher upheld by outspreading scrolled feet terminating 

in brass castered feet. (Top split and small rail miss- 


ing.) 
Height, 2 feet 4 inches; length, open, 5 feet 2 inches. 


598—Oax GRaNnDFATHER’s Citocx. Encuisu, or THE Earty 
EIGHTEENTH CENTURY 

Domed hood, with two brass ball finials; two columnar sup- 

ports; long case with inset columns. On high molded plinth. 

Rare engraved brass dial with inner second dial. Made 


by Samuel Watson, London. 
Height, 7 feet 8 inches. 


swinging mirror-frame mounted with gilded joes sphinx 
head and honeysuckle drops. 


Height, 7 feet 1 inch; width, 3 feet 9 inches 


600—Traxwoop Lone SEAT 


Hg 


The back has four panels, with carving of peonies, pome- 
granates and lotus in low relief; the skirt with peach fruit ‘ 
and scrolls. Closed arms and leather seat. 


Length, 71 inches. 


601—Pair or Traxkwoop ARMCHAIRS 


With yoke-shaped top rails, carved and pierced splats, : 
straight arms, legs, and underbraces. Leather seats. — 


602—Carvep Traxwoop CABINET 


With numerous cupboards and shelves. The doors are of — 
carved and etched ivory, with ornamentation in low relief 
of figures playing games, itinerant performers, fish and 
monkeys. =: 
Height, 55 inches; length, 37 inches; width, 16 inches. 


603—ManocGAny Booxk-CAsE 


Rectangular shape, with molded and dentelled cornice. 
Fitted with three hinged glazed doors. 


Height, 5 feet; length, 6 feet; depth, 1 foot 2 inches. 


604—JarpanEsE Carvep Woop SHRINE CABINET 


With elaborate carvings of squirrels, grapes and a and 
figures on the front, back and sides. 


Height, 78 inches; width, 42 piohen® depth, 29 inches. 


Third and Last Afternoon 


605—Manocany CoLontan Sora 


‘Scrolled arms and back; deep apron, supported on scroll 
feet. Seat and back upholstered in crimson velours. 


Height, 3 feet 10 inches; length, 7 feet 4 inches. 


606—Larcrt Manocany WARDROBE IN THE SHERATON STYLE 


Upper portion enclosed by side panels and central mir- 
rored door; two deep drawers under; molded frieze and 
plinth finely inlaid with kingwood bandings. 


Height, 7 feet 1 inch; width, 5 feet 6 inches; depth, 2 feet. 


607—Larcr Manocany BooxcasE IN THE SHERATON STYLE 


Two sections, each enclosed with two glazed diamond lat- 
tice doors; open lattice and scroll molded pediment; finely 
molded frieze, enriched with dentils and flutes. On scrolled 
bracketed feet. Four movable shelves above and one in 


under section. 
Height, 8 feet; width, 4 feet 2 inches. 


608—Larcr ALL-UPHOLSTERED LouNGcE 


Tufted deep seat, with roll-over arms and back. On ma- 
hogany ball feet. Covered in narrow blue stripe. 


Length, 6 feet 6 inches; depth, 3 feet 3 inches. 


609—Inxtaip SATINWoop BErproom SET IN THE ADAM STYLE 


Dressing bureau with serpentine front, three drawers at 
each end and center drawer; tapering castered legs; above 
top are small pedestals with two drawers each and tapering 
columns supporting an oval mirror. Inlaid with lines and 
kingwood bandings; bronze wreath handles; washstand to 
match with Siena marble top and back panel; three side 
chairs, with seats upholstered in green jaspé. Consisting 
of dressing bureau, large washstand, night table and three 
side chairs. 


Bureau: Height, 5 feet 6 inches; length, 4 feet 6 inches. 
Washstand: Height, 4 feet 2 inches; length, 4 feet 514 inches. 


“Third a Last t Afternoon ; 


Ivory ENAMELED BEDROOM ae 


Consisting of dressing bureau, writing table, nee ee tal 
rocking chair, dressing chair, high bureau and three-quart ; 
canné bed with two pillows and box spring for same. -Dress- — 
ing bureau composed of two long and three short drawer 
on castered fluted legs; oblong mirror with top canted, sup- a 
ported on vase pinnacled square canné bracketed columns ; 7 
bronze handles. . 


610 


611—T wo a ENAMEL pes 


Three-quarter size. - 


AMERICAN ART ASSOCIATION, 
MANAGERS, 


‘THOMAS E. KIRBY, 


AUCTIONEER. 


INTELLIGENT APPRAISALS 
FOR 
UNITED STATES AND STATE TAX 


INSURANCE AND OTHER PURPOSES 


THE AMERICAN ART ASSOCIATION 


Is EXCEPTIONALLY WELL EQUIPPED 
TO FURNISH 


APPRAISEMENTS AND INVENTORIES 


OF 


ART PROPERTY, BOOKS, MANUSCRIPTS, JEWELS 
AND PERSONAL EFFECTS OF 
EVERY DESCRIPTION 


AT CHARGES COMMENSURATE 
WITH THE DUTIES INVOLVED 


THE AMERICAN ART ASSOCIATION 
MADISON SQUARE SOUTH 


NEW YORK 
TELEPHONE, 3346 GRAMERCY 


POSITION, PRESSWORK 


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